The USCCB desires your input!
“All contributions will be shared anonymously to ensure all questions can be answered with honesty and authenticity.”
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“All contributions will be shared anonymously to ensure all questions can be answered with honesty and authenticity.”
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You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto.
We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.
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If there’s a more beautiful setting of this text, I don’t know what it could be.
This will be sung at the Basilica of Saint John Lateran, Rome and at the Basilica of Saint Francis Assisi.
Short biographical sketches of men and women who were church musicians themselves and who can empathize with the joys and struggles of our profession.
St. Mary’s: “Our singers experienced an incredible weekend working with Mr. Kevin Allen, the world-renowned composer.”
Occasionally the Solesmes rhythmic markings are surprising, as in one of tomorrow’s alleluias. Can we make sense of this?
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