Eucharistic Hymn by the Archbishop of Canterbury
Using a favorite melody of Dr. Theodore Marier.
Articles
“Ever Ancient, Ever New” • Sacred Concert in North Florida
“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz
“Can No One Defend This?” • Why Everyone Should Sing From the Official Edition
I can never go back!
Jeff Ostrowski’s Discovery • (Does Anyone Care?)
Feel free to examine every single page if you doubt what I’m saying!
Can a Lens Make a Difference?
My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.
Lack Choir Boys? • A Foolproof Way to Get Them!
What happened to this masculine presence in all things musical in the United States?
Dr. Alfred Calabrese on William Byrd’s “Sanctus” • (Mass for Five Voices)
“The Byrd Masses were printed without title pages, and with no reference to a composer. It was too dangerous to do so.” —Dr. Calabrese
Natalia’s Message • “Explaining The Two Sections!”
If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could?
Does It Make Sense to Alphabetize Hymnals?
Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”
Revealed! • Father Enemond Massé Manuscripts of Sacred Gregorian Chant
Please enjoy this new addition to the website which provides a useful list of manuscripts discussed on this blog, for easy access to the same sources used by the contributors!
When Others Say You’re “Dumb”
I could give a zillion more examples of my disability.
Are You A Professional? • (Am I One?)
Including a Eucharistic Hymn (#142) every Catholic should know!
Gregorian Rhythm Wars • “The Counter Tradition”
Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.
“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)
He screamed into the telephone: “There’s no such thing as Gregorian Chant!”
Report from St. Louis Chant Workshop with Marcel Pérès
“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams