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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · June 30, 2023

“Six Suggestions” • Working with Volunteer Choirs

One priest on this committee said something I’ll never forget…

Dr. Charles Weaver · June 29, 2023

Some Thoughts on Gregorian Modal Ethos

You should memorize this list.

Jeff Ostrowski · June 29, 2023

“The Use of Plainsong in Heretical Worship” • (Letter by Dom Gregory Murray)

“Unless Catholic musicians (especially priests) are careful, they may easily encourage non-Catholics in the belief that the differences between Catholics and non-Catholics are of minor importance.” —Dom Murray

Patrick Williams · June 28, 2023

Gregorian Rhythm Wars • Video: “Introduction to Mensuralism” (28 June 2023)

“If a picture is worth a thousand words, then a video has to be worth at least 1.8 million words.” —Dr. James McQuivey

Richard J. Clark · June 28, 2023

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

CRCCM Repertoire Project Released!

The Conference of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource offering recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and Ritual Masses.

Jeff Ostrowski · June 27, 2023

PDF Download • Extremely Rare! • “Liber Cantus Gregoriani” (1950) — 1,864 pages!

Church musicians ought not proceed in a frenzied, panic-stricken manner.

Corpus Christi Watershed · June 19, 2023

“We’re In Financial Trouble!” • (June 2023)

We must avoid placing our website behind a paywall.

Patrick Williams · June 18, 2023

“Text-Informed Performance Practice in Chant”

“The older responsorial method is more in accord with a right understanding of this text.” —Patrick Williams

Christopher Mueller · June 17, 2023

Richard J. Clark’s “Salve Regina”

“Thanks, Richard, for another accessible and mellifluous motet!” —Chris Mueller

Daniel Tucker · June 16, 2023

Updates on the Liturgy of the Hours

The exciting re-translation project for the Liturgy of the Hours continues! This article will get you up to speed.

Corpus Christi Watershed · June 13, 2023

A Message For You! • (From Natalia Ferreiro)

Exciting news for the sacred music world—regarding something important starting next week.

Jeff Ostrowski · June 10, 2023

“Please Share On Social Media” • Thank you!

For immediate release…

Dr. Lucas Tappan · June 8, 2023

“Reverent Catholic Mass Finder” (Website)

Your Vacation Aid!

Corpus Christi Watershed · June 7, 2023

Powerful Images • “Father John Brébeuf”

Stricken with terror, they fled to the mission, where Brébeuf and Lalemant were just finishing the prayers after Mass…

Jeff Ostrowski · June 6, 2023

“Best & Worst Responses” • This Survey Was Responded To By 300+ Church Musicians

You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

Recent Posts

  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)
  • “Alma Redemptóris Mater” • Everything There Is To Know About This Marian Antiphon
  • Simplified Accompaniment (Advent Hymn)
  • Pope Leo XIV on Sacred Music

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