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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 4, 2024

“The Christian Can Only Be an Optimist!”

From a classic interview with Father Robert Skeris on EWTN.

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Jeff Ostrowski · March 2, 2024

“The Most Captivating Chorale” • (J. S. Bach)

“The mocking reed, and cruell ſpear, Their hate, his love diſplay.”

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Jeff Ostrowski · March 1, 2024

“Stabat Mater” • Jeff Attempts to Sing All the Voices

A gorgeous, luscious, contemporary setting by Gustaaf Nees (d. 1965).

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Jeff Ostrowski · February 29, 2024

Relics of Father Brébeuf Touring the United States!

“They are the relics of the love of God which alone triumphs in the death of martyrs,” exclaimed Father Ragueneau.

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Jeff Ostrowski · February 28, 2024

“Palestrina500” • Sacred Heart Parish (Michigan)

Jean Calvin (d. 1564) famously detested sacred music. Ironically, Jonathan Bading—a convert from Calvinism!—has become one of the Church’s “leading lights” when it comes to authentic church music.

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Jeff Ostrowski · February 28, 2024

PDF Download • “Two-Voice Polyphony For Lent”

Found in a special choral collection by Maria von Trapp.

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Keven Smith · February 20, 2024

Choir Doesn’t Sound “Musical” Enough? Here’s What May Be MiSSSing

How a simple technique called “SSS” can bring out the elegance of any phrase.

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Jeff Ostrowski · February 16, 2024

PDF Download • “For the Season of Lent” (SATB)

It even sounds great with four (4) singers: Soprano, Alto, Tenor, and Bass!

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Jeff Ostrowski · February 15, 2024

Josquin Des Prez Was A Vandal • (Not Kidding)

Also included: the day my life changed forever.

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Corpus Christi Watershed · February 13, 2024

PDF Download • “Jesuit Martyrs of North America” (Stained Glass Window) — High Resolution

From “American Martyrs Catholic Church” in Manhattan Beach, California.

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Jeff Ostrowski · February 13, 2024

“Ite, Missa Est” • What Does That Actually Mean?

Bishop Ambo’s assertion that Mass was attended—for centuries—by a single woman (and nobody else) is bizarre.

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Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

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Guest Author · February 8, 2024

Father Robbie Low: “The State of Catholic Music”

“Music has an immense part to play in this perception of the divine reality and the heavenward leanings of the soul.” —Fr Robbie Low

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Jeff Ostrowski · February 6, 2024

“Reader Feedback” • 6 February 2024

The word 𝒍𝒂𝒕𝒆 can mean “not punctual” or “dead.”

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Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

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Corpus Christi Watershed

President’s Corner

    Music List • (29th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC which I created for this coming Sunday, the 29th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. The INTROIT for this Sunday explains why this Sunday is called “Apple Sunday.” As we approach the end of the liturgical year, most of the INTROITS seem to be in Mode III or Mode IV, which are ‘haunting’ tones.
    —Jeff Ostrowski
    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

Recent Posts

  • Music List • (29th Sund. Ordinary Time)
  • Ordinary of the Mass (Spanish Settings) for Organ + Congregation • “We’ve Had Success With These”
  • PDF Download • “Hymns We Have Used” (306 Entries) – Including an 11-Page Chart
  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans

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