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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Moreno · November 18, 2023

What We See Under the Big Top

For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent.

Jeff Ostrowski · November 17, 2023

Pope Saint Paul VI did not outlaw the TLM

This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

Follow the Discussion on Facebook

Dr. Charles Weaver · November 12, 2023

A Classic Example of Modal Modulation

We can think of the modes and their traditional characters in a dynamic way, and it can help us to have a little more shape and direction in our singing.

Jeff Ostrowski · November 11, 2023

PDF Download • “Wedding March” (For The Lazy Organist)

This afternoon, it was suggested to me that I write down (“notate”) the arrangement I use.

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Jeff Ostrowski · October 31, 2023

Cardinal Newman • “Hymn for Souls in Purgatory”

A way to avoid having the choir’s pitch sink. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Jeff Ostrowski · October 31, 2023

PDF Download • “Choral Warm-Up” by Jeff Ostrowski (after Morley)

The “SSS” technique, known by every great singer. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Corpus Christi Watershed · October 29, 2023

“Voces8” (Grammy-Nominated British Vocal Ensemble) • With Kevin Allen

They posed after the concert for a photograph with the composer.

Jeff Ostrowski · October 26, 2023

PDF Download • “Hymn for the Feast of All Saints” (Released for the First Time in History!)

“Each day Father Knox would write for his students a Latin poem describing events of the previous day.” —Archbishop Fulton J. Sheen

Keven Smith · October 25, 2023

Organ Improviser in the Spotlight: Wayne Warren

Here’s what you can learn from this Florida-based artist.

Follow the Discussion on Facebook

Jeff Ostrowski · October 25, 2023

“Secret Trick” of Jeff Ostrowski • Re: Singing Amen

“Sic transit gloria mundi…” (𝑇ℎ𝑢𝑠 𝑝𝑎𝑠𝑠𝑒𝑠 𝑡ℎ𝑒 𝑔𝑙𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑤𝑜𝑟𝑙𝑑.)

Jeff Ostrowski · October 25, 2023

Now Available Online! • 1959 “Organ Accompaniment Book” (233 Pages)

“Occasionally, the English texts for some of the hymns are almost barbaric artistically…” —𝐷𝑜𝑚𝑖𝑛𝑖𝑐𝑎𝑛𝑎 𝐽𝑜𝑢𝑟𝑛𝑎𝑙 (1960)

Jeff Ostrowski · October 23, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 2 of 2)

Will anyone step forward to defend this?

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough
  • Fulton J. Sheen • “24-Hour Catechism”

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