Patrick’s Second Response to Matthew
“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams
The last thing church musicians need is another collection of goofy, syrupy, mawkish hymns.
Obedience to the Church, and respect for Tradition is paramount in Sacred Music, as well as subjugation to the Liturgy. Was GR (1974) “The” Critical Edition? An incessant or insatiable thirst for variety and novelty is a vicious symptom of our modern age.
By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
“. . . zealous to keep the traditions of our forefathers, ever trying . . . boldly to restore any which might have been forgotten in the course of the ages.” —Preface to the Vatican Edition
The Vatican Edition, as well as St. Gregory’s work were both a Cento built on tradition to unify the Church. Semiological editions are archaic reversions. A close look at the Puer Natus Est in both forms is offered.
“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue
It seems to me that our responsibility of teaching the Faith through music is much more serious than is commonly perceived.
“Transcriptions are best done by those who both sing & conduct and enjoy studying minute neumatic details & problems—all this while making sure that the horizontal musical line of each song is their main musical concern.” —R. John Blackley
NEW CD from the Saint Paul’s Choir School, Harvard Square with the Sophia Music Group label
“One person I spoke to frequently—although I never met him…” (?)
Let St. Augustine’s wisdom guide you through the most important season for Church musicians.
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The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”
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