Views from the Choir Loft

Articles

Fr. David Friel · January 27, 2013

Confessing Our Sins

How Do You Say…

Jeff Ostrowski · January 26, 2013

Tribute To Monsignor Francis P. Schmitt

“There is only one way—to be a man of prayer and a man of faith: to be a man in love with and imbued with Christ’s life.”

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

Dr. Peter Kwasniewski · January 24, 2013

Musical Harmony Softens Hard Hearts

Saint Hildegard of Bingen, pray for us!

Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

Cynthia Ostrowski · January 23, 2013

Catholic Line Art, Black and White • Installment #03

I will be releasing hundreds of these B/W religious line art drawings for free and instant download.

Corpus Christi Watershed · January 21, 2013

Homiletic & Pastoral Review: Article by Fr. Friel

As I prayed these prayers from the new missal for the first time on January 3, 2012, I was struck nearly dumb . . .

Jeff Ostrowski · January 20, 2013

Babies, Toddlers, And The Sacred Liturgy

I can only imagine what would happen if I brought home a friend home without preparation or planning.

Fr. David Friel · January 20, 2013

The Mass

Miracle or Magic?

Dr. Peter Kwasniewski · January 17, 2013

In every age, the challenge is the same

A Bible passage that has always struck me very forcefully . . .

Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Corpus Christi Watershed · January 15, 2013

John Henry Newman Institute of Liturgical Music

The Newsletter for January 2013 and questionnaire.

Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

“Entrance Chant” • Immaculate Conception

Download the ENTRANCE ANTIPHON in English for the Immaculate Conception (9 December 2024). It’s in the third mode—which some consider the most beautiful of all—and mimics the authentic version in a laudable way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

How Sharp Are Your Eyes?

Just around the corner is the feast of the Immaculate Conception. The GREGORIAN MISSAL (Solesmes Abbey, 1990) is an utterly gorgeous book—there’s no question about that. But several typos did creep in. Can you spot the major typo for the ENTRANCE CHANT on the feast of the Immaculate Conception? How sharp are your eyes? If you succeed, send me an email letting me know.

—Jeff Ostrowski

“Music List” • (Christ the King Sunday)

This coming Sunday—24 November 2024—is Christ the King Sunday (a.k.a. “Final Sunday in Ordinary Time”). Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. And the the Mode 3 ENTRANCE CHANT is utterly sublime.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski