PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form
As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.
Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”
As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.
The case for offering private lessons to your singers. (Part 1 of 2.)
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Including a recording from Sacred Music Symposium 2023.
The hubris on the part of OCP is breathtaking.
Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!
Today, we release the congregational “Lamb of God” with SATB polyphonic extension.
“I find Anerio’s work here to be excellent, and I hope you do as well.” —Dr. Charles Weaver
Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.
Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!
Sometimes you win and sometimes you learn!
My assistant and I recently had the privilege while in England to have lunch with Dr. Ronny Krippner…
The professor inserted himself into our conversation, saying: “You’re both being foolish…”
If music sung at Church resembles a toothpaste commercial, a Broadway show, or a campfire song—does it really belong at Mass?
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