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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · November 8, 2025

PDF Download • “Music List” for 9 November

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Corpus Christi Watershed · November 7, 2025

Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark

Richard J. Clark interviews Hannah Houston Re: the “Simply Liturgical” website.

Corpus Christi Watershed · November 5, 2025

“Reader Feedback” • 5 November 2025

“Although I don’t have much to offer, I want to be able to offer something for the great work you do!”

Jeff Ostrowski · November 4, 2025

Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Unsolicited advice for prospective choir directors.

Mark Haas · November 4, 2025

When Pilgrims Sing, the World Disappears

“Their culture blended into the harmony of the Church. They were no longer citizens. They were Catholic.”

Daniel Marshall · November 1, 2025

The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

“This year, November 2nd falls on a Sunday—something that hasn’t happened since 2014—and suddenly, every person in your parish has the opportunity to encounter this profound liturgy.” —Dan Marshall

Veronica Moreno · October 29, 2025

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

“Although it’s not a lengthy piece, it uses techniques which singers love: canon, pedal tones, memorable tunes, etc.” —Veronica Moreno

Mark Haas · October 28, 2025

A Practical Method of Projecting Solfege for Chant

“The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes.”

Corrinne May · October 27, 2025

PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

‘Outstanding choral repertoire for men’s voices is more precious than gold.’ —Corrinne May

Christopher Mueller · October 23, 2025

Children’s Repertoire • Mueller’s Recommendations

Further thoughts about children’s choirs…

Jeff Ostrowski · October 22, 2025

PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

This 4-page ‘insert’ contains the seasonal Marian antiphons and various settings of the “Kýrie” my parish will be learning.

Jeff Ostrowski · October 21, 2025

False Accusations

Even if the accusation is false, we tend to think of that person—forevermore—as “tainted” or “damaged goods.”

Jeff Ostrowski · October 20, 2025

“Can Choral Music Survive?” • 3 Reasons It Will

You may think I’m crazy, but I have a belief when it comes to choral music.

Mark Haas · October 20, 2025

A Simple Way to Sing and Notate Organum Harmony

“Organum is a humble addition to Gregorian chant, yet it opens a profound sonic world.”

Jeff Ostrowski · October 19, 2025

Feast of the Jesuit Martyrs of North America

Their feast got replaced by a Sunday this year.

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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