Jeff Ostrowski To Leave Los Angeles!
I believe Catholics have a right to attend Mass without being aurally assaulted.
Articles
Aftermath: Never take Holy Week for granted.
There is “fallout” and recovery from Holy Week as a positive result. It is not merely physical but deeply emotional especially, as we struggle spiritually with whatever crosses we bear in life.
“Response to Dr. Weaver” • 2 April 2024
Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.
PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)
My volunteer choir sang this arrangement during the offertory on Easter Sunday.
“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)
Dedicated to my brother, Father Mark Ostrowski.
Good Friday’s Dazzling (and Ancient) Hymn
Visit a random church on Sunday morning and ask parishioners basic questions…
“Stabat Mater Dolorosa” • Four (4) Choral Settings
With a digression on ‘drab’ modern architecture.
“Spotted in the Wild” • (CCWatershed Members)
This clip was sent to us. The conductor is Martin Baker!
Clarence Thomas Speaks About The Eucharist
Justice Clarence Thomas attended the seminary for several years, including “Conception” (north of Kansas City).
PDF Download • “Holy Week Music Schedule” • Saint Mary’s in Norwalk, Connecticut
Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.
Book Review: Good Music, Sacred Music, and Silence
Becoming Missionaries for the Beautiful
“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments
This version by Father Adrian Fortescue is fascinating!
“Reprehensible Chrism Mass” • (Do Not Click)
A disturbing video sent to us from the Diocese of Superior (Wisconsin).
Church Music • “The Female Voice”
Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”
Response to Jeff: Rhythmic Signs Again
I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.