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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · December 12, 2024

An Organ-Less Advent

“It results in a heavy burden being placed upon musicians to ensure that whatever they do is well-liked by all—lest the faithful complain (seemingly the great worry of many priests).” —Dr. Lucas Tappan

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Jeff Ostrowski · December 11, 2024

Richard J. Clark Featured in ‘Boston Pilot’ Newspaper: “Our Children & Sacred Music”

“My most important vocation is not that of a musician but as a husband and a father to my four children.” —Richard J. Clark

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Julie Huebner · December 10, 2024

35 Children Chanting “Sálve Regína” From Memory

“This particular article talked about the Catholic Church in Milwaukee…” —Julie Huebner

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Richard J. Clark · December 9, 2024

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Epiphany Proclamation scores and practice videos in English and Spanish

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Jeff Ostrowski · December 6, 2024

PDF Download • “Musical Outline” for the Feast of Our Lady’s Immaculate Conception

Rachmaninoff said: “Nine hours? That’s nothing. For a period of my life, I used to practice 17 hours a day.”

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Jeff Ostrowski · December 4, 2024

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Who can explain this?

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Jeff Ostrowski · December 3, 2024

PDF Download • Pristine Scan: Father Mathias’ 1905 Kyriale Organ Accompaniment (186 pages)

Father Mathias served as organist for Strasburg Cathedral, where he founded the “Saint Leo Institute for Church Music” in 1913.

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Jeff Ostrowski · December 2, 2024

“Promptly, Firmly, & Persistently Repressed.”

The book is called: “Cantica Sacra: Hymns for the children of the Catholic Church.”

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Adam Raha · November 28, 2024

Saint John of the Cross • Arrested & Imprisoned By His Own Carmelite Brothers

Many years ago, I was very calmly trying to de-escalate a disagreement I was having with someone close to me…

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Jeff Ostrowski · November 26, 2024

PDF Download • “Entrance Chant” for the Feast of the Immaculate Conception (8 December)

What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?

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Corpus Christi Watershed · November 25, 2024

Bouyer on Liturgical Reform: “More intolerant and fussy than anything we’ve ever known.”

“Perhaps in no other area is there a greater distance between what the Council worked out and what we actually have.” —Professor Louis Bouyer

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Jeff Ostrowski · November 20, 2024

PDF Download • “Entrance Chant” for this Coming Sunday (Christ the King) — 34th in Ordinary Time

Including three separate points on Dom Combe’s shameful and defamatory statement.

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Corrinne May · November 19, 2024

“Imagine You’re Out of Rehearsal Time but Desperately Need a Hymn for Advent…”

“I had such fun recording the vocals for these rehearsal videos.” —Corrinne May

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Jeff Ostrowski · November 19, 2024

“Reader Feedback” • 19 November 2024

“I’m currently gathering materials for a newly ordained priest…”

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Jeff Ostrowski · November 18, 2024

High Resolution Scan • “Missale Romanum” (1857)

This rare missal from 1857 contains some musical notes.

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!

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