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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · January 25, 2014

Now Online! Fr. Josef Jungmann’s Study of the Roman Rite “Missarum Sollemnia”

Freely PDF download of Fr. Jungmann’s masterpiece, “The Mass of the Roman Rite: its origins and development.”

Veronica Brandt · January 25, 2014

Extending a music lesson

Would you like to help people make the connection between the Latin and the English translations?

Jeff Ostrowski · January 24, 2014

Ratzinger: “How much filth there is in the church!”

“Have mercy on your church,” Cardinal Ratzinger prayed in 2005. “When we fall, we drag you down to earth, and Satan laughs, for he hopes that you will not be able to rise from that fall; he hopes that being dragged down in the fall of your church, you will remain prostrate and overpowered.”

Fr. David Friel · January 24, 2014

The Art of the Beautiful Lecture Series

Professor Anthony Esolen Presents: “Love & Artistic Genesis”

Richard J. Clark · January 24, 2014

The Economics of Jobs in Sacred Music

Demand within the Church for beautiful sacred music is low leaving a surplus of highly qualified musicians quite capable of offering such beauty. How many Catholic musicians do you know work for other denominations because that is where their skills are valued?

Jeff Ostrowski · January 23, 2014

Dom Joseph Gajard (1885-1972)

The greatest choirmaster of Solesmes and chef d’atelier of the Paléographic Musicale.

Dr. Peter Kwasniewski · January 23, 2014

Lord, Deliver Me From My Persecutors

It is only a matter of time before being a Catholic at all will involve renouncing much that the world considers important and necessary. And soon there will be open persecution. Are we ready?

Andrew R. Motyka · January 22, 2014

Tools for the Day

The Communion Antiphon often reflects back to the Gospel.

Cynthia Ostrowski · January 21, 2014

Catholic Line Art, Black and White • Installment #49

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · January 20, 2014

Positive Liturgical Fruits Of Vatican II: First Part

In some respects, the Second Vatican Council did not go as far as Pius XII went in 1958 regarding active participation of the faithful.

Gwyneth Holston · January 20, 2014

Twelve Films I Recommend to Catholic Artists

These films withstand repeated viewing because of their richness and complexity.

Fr. David Friel · January 19, 2014

The Authentic Role of the Laity

There is no mention in Apostolicam Actuositatem of running bake sales or pulling bingo numbers.

Corpus Christi Watershed · January 19, 2014

1907 Biography of Giulio Bas

Giulio Bas was best known for his Gregorian accompaniments.

Veronica Brandt · January 18, 2014

Introducing polyphony in a round about way

Canons are a handy way to introduce singing in harmony. Here are some picks from the Choral Public Domain Library.

Richard J. Clark · January 17, 2014

Gregorian Propers at a Nuptial Mass in “Southie”?

“Southie” is a section of Boston better known from the films “Good Will Hunting” and “The Departed.” It is also infamous for the convicted murderer and gangster, James “Whitey” Bulger. But, yes, glorious Gregorian Propers, polyphony, and hymnody at a Nuptial Mass in “Southie.”

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism

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