• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Fr. David Friel · March 2, 2014

The Value of Tradition

Experience vs. Impartiality

Veronica Brandt · March 1, 2014

Preparing for Lent

Renewing the adventure of exploring Gregorian chant by making recordings.

Guest Author · March 1, 2014

Homily: 8th Sunday in Ordinary Time (Year A)

A homily by Fr. Valentine Young, OFM.

Richard J. Clark · February 28, 2014

RCIA and the Importance of Holy Week Choir Rehearsals

He described a sense awe that overwhelmed him during the liturgy. His conclusion at the time was that he should no longer continue with RCIA. Was this a failure of the RCIA program? No, this was success!

Guest Author · February 28, 2014

Why the Church Is Dying in Latin America

“We need to realize that beauty is essential to any true notion of progress and human development.”

Gwyneth Holston · February 27, 2014

A Visual Chronical of Parish Life: Day 4

“A Sad Inheritance” by Joaquin Sorolla y Bastida

Dr. Peter Kwasniewski · February 27, 2014

Beethoven’s “Missa Solemnis” and the Five Ways of St. Thomas

An imaginative or imaginary (you decide) correlation between the five movements of the greatest proto-Romantic sacred work and the five greatest proofs for the existence of God.

Andrew R. Motyka · February 26, 2014

Setting an Example Through Funerals

Funerals can be a good time to demonstrate the possibilities of reverent liturgical music at Mass.

Gwyneth Holston · February 26, 2014

A Visual Chronicle of Parish Life: Day 3

“The Daughters of Charity” by Henriette Browne

Gwyneth Holston · February 25, 2014

A Visual Chronicle of Parish Life: Day 2

“Choirboys” by Jose Gallegos y Arnosa

Jeff Ostrowski · February 24, 2014

Is the Kyrie part of the Penitential Rite?

Many priests and liturgists omit the “Kyrie eleison” when the rubrics clearly forbid this.

Gwyneth Holston · February 24, 2014

A Visual Chronicle of Parish Life: Day 1

A week of inspiring images to brighten your day.
Day 1: “The Baptism” by Joaquin Sorolla

Jeff Ostrowski · February 24, 2014

Reform Of The Reform: A Perspective

“How much annoyance among our loyal Catholics could have been avoided if evidence had been provided that various elements had been taken from old sacramentaries and were not arbitrary innovations.” —Bishop of Regensburg (1979)

Fr. David Friel · February 23, 2014

St. Therese on Beauty

The Divine Artist of souls is pleased when we do not stop at the exterior.

Veronica Brandt · February 22, 2014

Color by “Neum”ber

A Gregorian chant workbook for kids (there’s one for adults too).

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 265
  • Page 266
  • Page 267
  • Page 268
  • Page 269
  • Interim pages omitted …
  • Page 335
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

Recent Posts

  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Which Mass?
  • Like! Like! Like!
  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.