• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Richard J. Clark · February 7, 2014

Disparagement Is Not Helping the Cause of Liturgical Reform

Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.

Dr. Peter Kwasniewski · February 6, 2014

Poverty, Self-Denial, and Peace – Part II

How do we learn the art of self-denial? In small steps that prepare us for the ultimate step: surrendering our soul to the Lord at death.

Jeff Ostrowski · February 5, 2014

Whence Came The New Eucharistic Prayers?

When the three new Canons were published, the Consilium sent the conferences a letter (dated 2 June 1968) “to assist catechesis on the anaphoras of the Mass.”

Jeff Ostrowski · February 5, 2014

1965 Ordo Missae … In Spanish!

Kyle, one of our readers, sent us this fascinating liturgical artifact.

Cynthia Ostrowski · February 4, 2014

Catholic Line Art, Black and White • Installment #50

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · February 4, 2014

Mp3 Audio: “Why Do I Use My Paper, Ink, And Pen”

The fact that this recording was created by one person will astound you. The fact that it’s offered to you free of charge is even better!

Jeff Ostrowski · February 3, 2014

“Polls Ye Shall Always Have With You”

When was the last time you saw the music of today’s popular Catholic composers treated in a serious way?

Gwyneth Holston · February 3, 2014

The Heresy of Formlessness

How have I not read Martin Mosebach’s book before now?

Fr. David Friel · February 2, 2014

Youth in Favor of Sacred Music

Not a Negligible Niche

Richard J. Clark · January 31, 2014

Changing the Culture: Progress, Not Perfection

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations.

Dr. Peter Kwasniewski · January 30, 2014

Poverty, Self-Denial, and Peace – Part I

The remedy for disordered desire is mortification and the longing for God, the living God, who calls us to intimate union. How different is Christian redemption from a Buddhist annihilation of self!

Andrew R. Motyka · January 29, 2014

Richard Sherman and Self-Confidence

The importance of confidence in performance.

Jeff Ostrowski · January 28, 2014

Benedict Brought Peace To The Church With “Summorum Pontificum”

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.” — László Dobszay

Gwyneth Holston · January 27, 2014

Do You Like This Painting or Not?

Help me decide what to think on the feast of St. John Chrysostom.

Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 265
  • Page 266
  • Page 267
  • Page 268
  • Page 269
  • Interim pages omitted …
  • Page 332
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)
  • PDF • “Dr. Adrian Fortescue: Priest & Musician”
  • Can This Weird Warmup Put Your Voice in Good Placement?
  • PDF Download • “Outrageously Rare” Feder Missal (Latin, French, & English) — 3,290 pages!

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.