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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Dr. Peter Kwasniewski · April 24, 2014

“Soft Source of Calm Tranquillity”: The Quiet Mass

A poem set to music by Handel perfectly captures the feelings one has at a quiet low Mass. Here I try to say why this form of the Mass is so special and valuable.

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Corpus Christi Watershed · April 23, 2014

VIDEO • Explaining the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

Approved by the USCCB — 2014 Imprimatur from Bishop Slattery of Tulsa.

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Jeff Ostrowski · April 22, 2014

More unites us than divides us!

Musicians tend to be very “picky” people who don’t get along with one another.

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Guest Author · April 21, 2014

Francis Thompson (1859 – 1907): Catholic, Addict, Poet

The intellect of the world has been corrupted. Francis Thompson is the antidote.

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Fr. David Friel · April 20, 2014

Book Review: Killing Jesus

Was It Worth the Read?

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Jeff Ostrowski · April 18, 2014

Proclaim the Passion in a “Theatrical” Manner?

Scripture at Mass is an act of worship: it is not purely didactic, nor is it a make-believe drama that we must re-enact with emotion.

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Richard J. Clark · April 18, 2014

Christ, the Wounded Healer

What role does suffering have in our lives and in our work?

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Fr. David Friel · April 17, 2014

A Priest’s Litany of Thanksgiving

A Preparation for the Celebration of Holy Thursday

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Dr. Peter Kwasniewski · April 17, 2014

Sheed on the Missal of 1968

Frank Sheed is one of my favorite Catholic authors, but when it came time for him to grapple with the liturgical revolution, either his perspicuity or his nerve failed him.

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Andrew R. Motyka · April 16, 2014

Be Good to Your Choir

Give your choir some acknowledgement for all their hard work.

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Jeff Ostrowski · April 15, 2014

PDF Download: The Fulton J. Sheen Sunday Missal (1961)

Archbishop Sheen did not produce this Missal alone: it was a joint effort by many, especially the Jesuit priests Rev. Philip Caraman and Rev. James Walsh.

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Jeff Ostrowski · April 15, 2014

Live Recording — Small Choir of Ninth Grade Singers (October, 2006)

What can one say about the “Art of the Fugue” by J. S. Bach? Marvelous. Simply marvelous.

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Gwyneth Holston · April 14, 2014

Mass for Artists on May 4th in NYC

It will be in the extraordinary form with a modern setting by Arvo Part

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Fr. David Friel · April 13, 2014

Who Should Proclaim the Passion?

The “Circular Letter Concerning the Preparation and Celebration of the Easter Feasts”

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Veronica Brandt · April 12, 2014

Working on a Compline booklet

A booklet for Compline, 95% finished, ready for Holy Week.

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“The plan to definitively abolish the traditional Tridentine Mass … if it is true, seems to me to be an insult to the history of the Church and to Sacred Tradition, a diabolical project that seeks to break with the Church of Christ, the apostles, and the saints.”

— The Vatican’s chief liturgist (appointed by Pope Francis) from 2014-2021

Recent Posts

  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)

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