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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Aurelio Porfiri · July 8, 2014

Remembering Cardinal Virgilio Noè

If you think that he did not care, as many prelates, about who and what was playing, you would be “hugely wrong.”

Jeff Ostrowski · July 7, 2014

What Should Female Lectors Wear At Mass?

Not one shred of iconographical evidence contradicts the alb as being a priestly vestment.

Jeff Ostrowski · July 7, 2014

Family Von Trapp & Celebration “Versus Populum”

Is the Trapp Family priest saying Mass “facing the people” in the 1930s?

Guest Author · July 7, 2014

Homily: 14th Sunday in Ordinary Time (Year A)

“The wonderful thing about Jesus and His teaching is that it is within the grasp of everyone.”

Jeff Ostrowski · July 7, 2014

Pope Benedict XVI Reveals Why He Issued Summorum Pontificum on 7 July 2007

“A community is calling into question its very being when it suddenly declares its holiest and highest possession to be strictly forbidden … Can it be trusted any more about anything else?”

Fr. David Friel · July 6, 2014

Colloquium Update IV

The Glories of A Single Proper

Fr. David Friel · July 5, 2014

Colloquium Update III

“Minding the Gap” — Organ Improvisation

Veronica Brandt · July 5, 2014

If we took music seriously

“Great importance is to be attached to the teaching and practice of music in seminaries, in the novitiates and houses of study of religious of both sexes, and also in other Catholic institutions and schools. To impart this instruction, teachers are to be carefully trained and put in charge of the teaching of sacred music.”

Fr. David Friel · July 4, 2014

Colloquium Update II

Resources for Accompanying Gregorian Chant

Richard J. Clark · July 4, 2014

Should We Sing Patriotic Hymns at Mass?

I love patriotic hymns. But should we sing them at mass?

Fr. David Friel · July 3, 2014

Colloquium Update I

All the things I love about the Colloquium experience are here in force: an extraordinary faculty, magnificent liturgies, good fellowship, etc.

Dr. Peter Kwasniewski · July 3, 2014

Music Rules Over Us

Music is like a food that either makes us healthy or sick; indeed, it shapes our souls in its image.

Jeff Ostrowski · July 3, 2014

Bishop Conley Sings “Salve Regina” With A Whole Pack Of Bishops

How often do you see a whole bunch of bishops sitting around singing the Salve Regina?

Jeff Ostrowski · July 2, 2014

Why On Earth Would Anyone Do This?

Am I a hypocrite?

Cynthia Ostrowski · July 1, 2014

Catholic Line Art, Black and White • Installment #55

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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