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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 19, 2014

Three Painless Ways To Begin Singing Propers … Without Losing Your Job

A peritus of the Council once suggested that certain parties detest the Mass Propers because they’re almost impossible to “hijack” with heterodox theology.

Veronica Brandt · July 19, 2014

Basic Steps To Improve Music At Your Parish — Part 4

Importing singers is the quickest way to get good music into your parish, even if it is only for one occasion.

Jeff Ostrowski · July 19, 2014

Diary of Cardinal Antonelli (1964): “How Exactly Should The Vatican II Mass Look?”

If Pope Pius V or Gregory the Great were to come back, they ought to see that the Mass after Vatican II has substantially remained the same.” — Secretary of the Consilium

Jeff Ostrowski · July 18, 2014

Inaccurate Statements About Translations Of The Mass Propers (A Pet Peeve)

The quickest way to make this clear to a skeptical priest or liturgist is to request that they bring you some Offertory antiphons from MR3. (They don’t exist!)

Richard J. Clark · July 18, 2014

Basic Steps To Improve Music At Your Parish — Part 3

Turn off the microphones. This can be a challenge when many parishes and even some cathedrals are enamored of carpeting – to say nothing of seat cushions!

Jeff Ostrowski · July 17, 2014

PDF Download: “Propers” by A. Edmonds Tozer and “Propers” by Father Theodore Labouré

“The law of the Church plainly declares that, whenever High Mass is celebrated, the Proper of the Mass must be sung or at least recited.” — Fr. Labouré (1922)

Dr. Peter Kwasniewski · July 17, 2014

Basic Steps To Improve Music At Your Parish — Part 2

I have been asked to recommend some ways in which any parish in the United States could improve the music used at Mass. Some parishes may already have taken the following two steps, in which case my advice will be nugatory for them, but if your parish has not yet done so, now’s the time to begin.

Aurelio Porfiri · July 17, 2014

Fr. Enrico Zoffoli and the Passion of the Lord

“And so, for Jesus – and for us – the Passion is everything, the Passion decides everything.” — Fr. Zoffoli

Andrew R. Motyka · July 16, 2014

Basic Steps To Improve Music At Your Parish — Part 1

Simple steps to start moving from the “average” Catholic music program to a more reverent liturgy.

Aurelio Porfiri · July 16, 2014

Confession 2.0

“You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?

Aurelio Porfiri · July 15, 2014

I Am Not A Contemporary

Job searching is tough, you say? Try searching as a Church musician who is not “contemporary.”

Guest Author · July 14, 2014

Homily: 15th Monday in Ordinary Time (St. Kateri)

St. Kateri grew up in very unlikely circumstances of ever becoming a saint. But she did.

Jeff Ostrowski · July 14, 2014

Benjamin Franklin Composed A String Quartet

Why must the music at Wedding receptions be blasted at such a deafening volume? What can be done?

Cynthia Ostrowski · July 14, 2014

Catholic Line Art, Black and White • Installment #30

All the vestments used in the Campion Missal were more than 200 years old.

Jeff Ostrowski · July 14, 2014

The Real Trouble With Missalettes

Did you catch that last quotation? “Unless proper readings are given.” What does that passage mean?

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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