An Exciting Concert In Rome! — 19 October 2014
Aurelio Porfiri (Composer), Luigi Ciuffa (Conductor), Gianluca Libertucci (Organist)
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Aurelio Porfiri (Composer), Luigi Ciuffa (Conductor), Gianluca Libertucci (Organist)

Is the organ postlude after Mass a loud distraction that stands in the way of making one’s thanksgiving? Or is it a wholly fitting conclusion to an act of public divine worship?

The rest of the Wedding liturgy, and some miscellaneous advice.

Today’s installment gives an alternate version to Purification image we’ve already released.

I don’t know how you feel, but being hugged by unknown people on the basis that they sit next to me is not really the best experience in the world…

“The principles of sacredness and dignity which distinguish church music, in regard to its singing and its musical instruments, should remain intact.” —Cardinal Lercaro (1966)

Including exclusive interviews with Fr. Corrado Maggioni and Rodolfo Papa.

“Our Archconfraternity is truly grateful to Maestro Aurelio Porfiri for the gift of this marvelous Mass which he has composed.” —Domenico Rotella
Two Contributions from CCW Bloggers

Modern evidence that “modern” music may not be so “great” as the moderns would like you to think.

“Pope Pius XII was, in his own way, perhaps the boldest innovator among the Popes of the twentieth century.”

These elite are people who—by means of tireless effort—try to create good art for the benefit of everyone.

Are modern church musicians still composing oratorios? Yes!

Is it appropriate for a pope to let kids dance around him in such a crazy fashion?

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.
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