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Views from the Choir Loft

Articles

Aurelio Porfiri · October 16, 2014

An Exciting Concert In Rome! — 19 October 2014

Aurelio Porfiri (Composer), Luigi Ciuffa (Conductor), Gianluca Libertucci (Organist)

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Dr. Peter Kwasniewski · October 16, 2014

In Defense of the Organ Postlude

Is the organ postlude after Mass a loud distraction that stands in the way of making one’s thanksgiving? Or is it a wholly fitting conclusion to an act of public divine worship?

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Andrew R. Motyka · October 15, 2014

Weddings: Some Practical Advice – The End and the New Beginning

The rest of the Wedding liturgy, and some miscellaneous advice.

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Cynthia Ostrowski · October 15, 2014

Catholic Line Art, Black and White • Installment #59

Today’s installment gives an alternate version to Purification image we’ve already released.

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Aurelio Porfiri · October 14, 2014

VIDEO • Wandering Around During The Sign Of Peace

I don’t know how you feel, but being hugged by unknown people on the basis that they sit next to me is not really the best experience in the world…

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Jeff Ostrowski · October 13, 2014

“Music Of An Altogether Profane And Worldy Character Is Unworthy For Church” —Bugnini

“The principles of sacredness and dignity which distinguish church music, in regard to its singing and its musical instruments, should remain intact.” —Cardinal Lercaro (1966)

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Aurelio Porfiri · October 13, 2014

VIDEO • Light And Darkness

Including exclusive interviews with Fr. Corrado Maggioni and Rodolfo Papa.

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Aurelio Porfiri · October 13, 2014

VIDEO • A New Mass For A New Era

“Our Archconfraternity is truly grateful to Maestro Aurelio Porfiri for the gift of this marvelous Mass which he has composed.” —Domenico Rotella

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Fr. David Friel · October 12, 2014

The Society for Catholic Liturgy

Two Contributions from CCW Bloggers

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Guest Author · October 12, 2014

The Miracle of Mozart (and Friends)

Modern evidence that “modern” music may not be so “great” as the moderns would like you to think.

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Veronica Brandt · October 11, 2014

Pope Pius XII’s First Communion Day

“Pope Pius XII was, in his own way, perhaps the boldest innovator among the Popes of the twentieth century.”

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Aurelio Porfiri · October 11, 2014

VIDEO • I Am An Elitist

These elite are people who—by means of tireless effort—try to create good art for the benefit of everyone.

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Aurelio Porfiri · October 10, 2014

Aurelio Porfiri: Excerpt from “Corpus Domini” Oratorio

Are modern church musicians still composing oratorios? Yes!

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Jeff Ostrowski · October 10, 2014

Pope Francis Allows A Flock Of Children To Dance Around Him

Is it appropriate for a pope to let kids dance around him in such a crazy fashion?

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Richard J. Clark · October 10, 2014

Andrew Leung | Sacred Musician

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski
    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • “Entrance Chant” • Feast of Corpus Christi
  • Vanishingly Rare! • 1955 “Organ Accompaniment” (Mainz Diocese) — 328 Page PDF
  • “Comparison Chart” • 1940 Episcopal Hymnal
  • 21 Organ Accompaniments • Pentecost Sequence (“Veni Sancte Spíritus”) in Latin and English
  • “A Noble Sound” • Calling Men Back to Sacred Music

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