• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Participation” (12 pages)
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • Feasts Website
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
  • Donate
  • Cart
Views from the Choir Loft

Articles

Dr. Lucas Tappan · May 12, 2015

The Ingredients of a Choir School (Part II)

A choir school can be an immense help toward our goal of establishing a liturgical choir worthy of its name.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 11, 2015

VIDEO • Watch Jeff Ostrowski Load Choir Binders

Wow—did you ever see anyone load them this fast?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 11, 2015

Stunning Hymn With 3-Voice Polypony You Will Want To Sing For Pentecost

A story about Victoria—perhaps a myth—says Palestrina was jealous of his student’s first drafts.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 10, 2015

Resources • 5th Sunday after Easter (1962 Missal)

We are getting close to Pentecost, when the FSSP Superior General will visit our parish.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Fr. David Friel · May 10, 2015

Credo Priests

A statement of fidelity to the Church’s long-held doctrine concerning human sexuality & marriage.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · May 9, 2015

The difference between Anything and Everything.

Where free choice can lead to chaos or paralysis.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Richard J. Clark · May 8, 2015

Why Should We Sing the Psalms at Mass?

if we do not sing the antiphons proper to the day—and the corresponding Psalm verses—we risk having a narrow view of the Psalms.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Andrew Leung · May 7, 2015

Pastoral Plan (Part 2 of 2)

Point 3 and 4 of the Pastoral Plan of the Archdiocese of Atlanta. And you don’t want to miss this Sacred Music Workshop!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 5, 2015

The Actual Vestments Of Pope Saint Pius V

Let’s be honest…those shoes look nice and comfy!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Dr. Lucas Tappan · May 5, 2015

Choir School Ingredients

Now all you need are some children for the choir. Get started!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 4, 2015

Video • “Vidi Aquam” Organ Accompaniment By Jeff Ostrowski

The “Method of Gregorian Accompaniment” by Flor Peeters is excellent.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Fr. David Friel · May 3, 2015

Bishop to Restore Traditional Order of the Sacraments of Initiation

Baptism & Confirmation “go together like Easter and Pentecost.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · May 2, 2015

Taking the easy way out, relatively speaking

Starting a collection of easier propers for the Extraordinary Form. A pair of Alleluias and two Offertory antiphons to start the ball rolling.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 1, 2015

Resources • 4th Sunday after Easter (1962 Missal)

The Communion can be written “Dum venerit” or “Cum venerit”—both are correct.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · May 1, 2015

Twelve (12) PDF Guides To Pronouncing Latin

Fr. Carlo Rossini’s is probably the best, but 11 more are also provided.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 223
  • Page 224
  • Page 225
  • Page 226
  • Page 227
  • Interim pages omitted …
  • Page 341
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

Recent Posts

  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”