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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · February 27, 2015

Helping Your Deacon or Priest Learn the Exsultet

Singing the “Exsultet” can be intimidating! Six pages of endless notes and words? Here are some helpful tools.

Jeff Ostrowski · February 26, 2015

Screenshots Proving “Versus Populum” Was Allowed By The 1572 Missal

A reader from Indonesia kindly sent us these…

Jeff Ostrowski · February 26, 2015

Musical Resources • 2nd Sunday of Lent

The “Gloria in excelsis” is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Jeff Ostrowski · February 25, 2015

“Salve Festa Dies” • SATB Choral Piece By Canon Jules Van Nuffel (d. 1953)

Who wouldn’t welcome this fresh & contemporary piece for Easter?

Jeff Ostrowski · February 24, 2015

PDF Download: Two (2) Rare Franciscan Chant Books

Many of these melodies cannot be easily found in any other book.

Dr. Lucas Tappan · February 24, 2015

Permission Needed to Replace the Propers?—(4 of 7)

This year one, a seminarian from our parish is being ordained. He requested that we sing the Propers for his first Mass.

Andrew R. Motyka · February 24, 2015

Permission Needed to Replace the Propers?—(5 of 7)

The practical end of formal approval.

Jeff Ostrowski · February 23, 2015

Pope Francis Condemned The Reform Of The Reform? Not Quite…

“Devout people are the ones who will be most disturbed by the new liturgy.” —Pope Paul VI (11/26/1969)

Jeff Ostrowski · February 21, 2015

Musical Resources • 1st Sunday of Lent

The “Gloria in excelsis” is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Veronica Brandt · February 21, 2015

Permission Needed to Replace the Propers?—(2 of 7)

How modernism effects music and babies. And how UNICEF is like the Catholic Church.

Andrew Leung · February 21, 2015

Permission Needed to Replace the Propers?—(3 of 7)

When the GIRM says “four options”, they really mean four preferences…

Richard J. Clark · February 20, 2015

Permission Needed to Replace the Propers?—(1 of 7)

“Tacit approval” alone isn’t getting the job done. It is abdicating authority to composers and publishers, pastors and liturgists.

Dr. Lucas Tappan · February 19, 2015

A Practical Secret

“Condition choirs so that you have to tell them only once.”

Jeff Ostrowski · February 19, 2015

Bishop Slattery: “Why Did God Make Us?”

It would not be wrong to say that the entire video revolves around Sacred music.

Jeff Ostrowski · February 19, 2015

PDF Download: 1896 “Liber Usualis” • Extremely Rare

The book is 1,479 pages. The monastery of Solesmes certainly had a staggering output!

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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