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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 4, 2015

Clarence Thomas: “I waited 25 years to return to the Church”

“Older people have an obligation not to spew their cynicism on our youth.” —Justice Thomas

Richard J. Clark · July 3, 2015

I Have No Idea How to Solve this Problem

A dilemma for parents that has resurfaced many times is how to manage raising children in the faith while working for the Church, and I have no idea how to solve it.

Andrew Leung · July 3, 2015

Sacred Music Colloquium XXV — Update V

Report on the fifth day of the Sacred Music Colloquium in Pittsburgh

Corpus Christi Watershed · July 2, 2015

More Than 10,000 Attend Chartres Pilgrimage

“I considered myself to be a good Catholic, but when I went I realized how little I really cared for and lived my Faith.” —Margaret Walsh

Jeff Ostrowski · July 2, 2015

Annibale Bugnini’s Commentary (June 1967)

“The faithful everywhere have responded generously, and have greeted the new liturgy with great joy.” —Archbishop Bugnini (1967)

Andrew Leung · July 2, 2015

Sacred Music Colloquium XXV — Update IV

Report on the fourth day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · July 1, 2015

Sacred Music Colloquium XXV — Update III

Report on the third day of the Sacred Music Colloquium in Pittsburgh

Jeff Ostrowski · July 1, 2015

Only Priests Can Save Catholic Music

Including thirteen (13) complete collections of Mass Propers…with audio examples!

Andrew Leung · June 30, 2015

Sacred Music Colloquium XXV — Update II

Report on the second day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · June 29, 2015

Sacred Music Colloquium XXV — Update I

Report on the first day of the Sacred Music Colloquium in Pittsburgh

Jeff Ostrowski · June 28, 2015

Loading Choir Binders In Los Angeles

I average one binder per second.

Fr. David Friel · June 28, 2015

In Memoriam: Dr. Lucy E. Carroll, DMA

Lucy was a friend and mentor to me, and I would like to share with you a little bit of her story.

Veronica Brandt · June 27, 2015

Rebuild my Church

The Maternal Heart of Mary Church is a collegiate style church in Sydney, Australia and home to the only FSSP parish in the country.

Jeff Ostrowski · June 26, 2015

Musical Resources • 5th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Richard J. Clark · June 26, 2015

Why It is Truly Right and Just to Sing the Preface

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • Eucharistic Hymns for Your Choir
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Breviary Editors Did It First!” • Omitting Verses?
  • Music List • (4th Sunday of Lent)
  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)

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