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Views from the Choir Loft

Articles

Jeff Ostrowski · September 26, 2015

Fr. David Friel & Pope Francis

A friend kindly sent me these photos…

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Andrew Leung · September 26, 2015

Papal Liturgies – Day 4 & 5 of the Papal Visit

2 Papal Masses in New York and Philadelphia.

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Veronica Brandt · September 26, 2015

Praise to the Holiest

The seven stanzas of amazingness by Blessed Cardinal Newman with three tunes to choose from.

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Andrew Leung · September 24, 2015

My New Assignment—Part 1

Please pray for me as I continue to discern my vocation to the priesthood.

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Jeff Ostrowski · September 24, 2015

Musical Resources • 18th Sunday after Pentecost (Extraordinary Form)

“In thy tender mercy, guide aright, we beseech thee, O Lord, our hearts…”

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Dr. Alfred Calabrese · September 24, 2015

Getting the most from your choir: Passion

Passion … is a tremendous engine for achieving the very best results.

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Jeff Ostrowski · September 24, 2015

Joan Brudieu • Simple Kyrie (Revised)

When people ask how to begin teaching polyphony, I show them this.

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Andrew Leung · September 24, 2015

Papal Liturgies – Day 3 of the Papal Visit

Pope Francis celebrated Solemn Vespers at St. Patrick’s Cathedral in NYC.

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Jeff Ostrowski · September 23, 2015

Interesting Video About The Latin Mass (Massachusetts)

I believe Fr. Robert Fromageot was professor of Gregorian chant at the FSSP seminary.

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Dr. Lucas Tappan · September 23, 2015

The Art of Breathing

If there are only two concepts you are able to instill in a child in the early stages regarding breathing, they would be 1) fill and empty the stomach with air just like a balloon (don’t use the chest) and 2) keep the shoulders down and relaxed.

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Andrew Leung · September 23, 2015

Papal Liturgies – Day 2 of the Papal Visit

Some highlights of the papal liturgies on the second day of Pope Francis’s visit

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Jeff Ostrowski · September 22, 2015

A Serious Problem That Needs To Be Addressed

The accusation by this lady really hurt me; but I’m not sure why…

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Jeff Ostrowski · September 22, 2015

Transposed Mode • This Sunday’s Communion

One could also use a Mode VII psalm tone to “solve” the problem … but that just sounds wrong.

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Christopher Mueller · September 21, 2015

A Striking Approach To Performing Gregorian Chant

A commenter had posted, “Their metrical chant is a revelation!” That piqued my curiosity.

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Fr. David Friel · September 20, 2015

A Missal for the Ordinariate

Concrete gestures that enter hearts and stir consciences are essential, inspiring in everyone that inner conversion that is the prerequisite for all ecumenical progress. — Pope Emeritus Benedict XVI

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?

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