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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Andrew Leung · October 15, 2015

My New Assignment—Part 2

An update on my new assignment.

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Dr. Alfred Calabrese · October 15, 2015

The Church Must Be Countercultural

What music is appropriate for a wedding?

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Jeff Ostrowski · October 14, 2015

When Choirmasters Despair

No matter how superb your music program is…

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Fr. David Friel · October 13, 2015

Discussion of “Inclusivity” & “Diversity” at the Synod

Remarks from Archbishop Chaput

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Dr. Lucas Tappan · October 13, 2015

Taka… What?

Kids love this!

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Christopher Mueller · October 12, 2015

Rediscovering “Musicam Sacram”

I encountered anew this wonderfully clear and concise document about music in the liturgy.

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Guest Author · October 12, 2015

“Saving” Gregorian Chant In The Ordinary Form

Daniel Craig’s review with a “signs of the times” digression.

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Fr. David Friel · October 11, 2015

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 1 of 2

A Behind-the-Scenes Look

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Jeff Ostrowski · October 11, 2015

Kyrie XI • Gregorian Chant

I’ve wrongly neglected this famous chant.

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Jeff Ostrowski · October 10, 2015

The Week In Review

Seven random thoughts…

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Veronica Brandt · October 10, 2015

New CD by the Sistine Chapel Choir

Watch for more about the first ever commercial recording from the Sistine Chapel.

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Corpus Christi Watershed · October 10, 2015

VIDEO • Fr. Kevin Vogel On Gregorian Chant

This video will interest lovers of sacred music.

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Jeff Ostrowski · October 10, 2015

Musical Resources • 20th Sunday after Pentecost (Extraordinary Form)

“May these mysteries, we beseech thee, O Lord, bring us from heaven a healing medicine…”

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Dr. Alfred Calabrese · October 8, 2015

Family and Work: both are full time jobs

My children are now grown, but I’m not about to reveal any family secrets!

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Jeff Ostrowski · October 7, 2015

Sloppy 1953 Schwann

The “white notes” (as Dr. Joseph Lennards called them) are quite sloppy, which really took me by surprise.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings

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