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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 19, 2015

Musical Resources • 17th Sunday after Pentecost (Extraordinary Form)

“Very humbly, O Lord, we implore of thy majesty, that the holy mysteries we are celebrating … save us from transgressing in the time to come …”

Veronica Brandt · September 19, 2015

How many tunes should we use?

Including a brief survey of tunes for Benediction hymns from a few of the hymnbooks on my bookshelf.

Jeff Ostrowski · September 19, 2015

“Agnus Dei” For Three Voices • Guillaume Dufay

…including a digression on why choirs hate Solfège.

Richard J. Clark · September 18, 2015

Communion Antiphons for Advent • World Library Publications

World Library Publications has published settings of Communion propers for Advent. Listen here to beautiful recordings directed by Paul French.

Andrew Leung · September 17, 2015

Sir David Willcocks (1919-2015)

Sir David Willcocks passed away at home today aged 95.

Andrew Leung · September 17, 2015

Pontifical Solemn High Mass in Steubenville

Students and Alumni of the Sacred Music Program of Franciscan University of Steubenville sang the Pontifical Solemn High Mass celebrated by Cardinal Burke.

Cynthia Ostrowski · September 16, 2015

Catholic Bulletin Art • Installment #69

Today’s installment is a picture of Saint Alphonsus Ligouri.

Jeff Ostrowski · September 16, 2015

“Live” Recording Of Polyphonic Kyrie VIII

Last Sunday we sang a beautiful composition by Richard Rice.

Jeff Ostrowski · September 16, 2015

“The songs and hymns presently in use need to be reconsidered.”

“…it is important to avoid musical forms which, because of their profane use, are not conducive to prayer.”

Cynthia Ostrowski · September 15, 2015

To God Who Giveth Joy To My Youth

“Old age steals on with its rich harvest and its peculiar trials, yet the same lips pronounce the same exultant words…”

Andrew Leung · September 15, 2015

10 Ideas for Practicing Choral Music

“Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own” by Doreen Fryling, a lifelong practice avoider.

Dr. Alfred Calabrese · September 14, 2015

Getting the most from your choir: Preparation

Only by knowing a piece inside and out can we teach it effectively and efficiently.

Jeff Ostrowski · September 14, 2015

Fr. Jonathan Morris, Pit Bull Attack, & More

What you didn’t know about Fr. Jonathan Morris…

Fr. David Friel · September 13, 2015

Brilliant Idea for A Parish Fundraiser

A Different Type of “Silent” Auction

Veronica Brandt · September 12, 2015

Coming to Church on Time

Sunday is not exactly a day of rest—I’m sure many people working in Sacred Music would heartily agree!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • PDF Download • “Gregorian Chant Booklet” mailed by Pope Saint Paul VI to every bishop
  • My Response Surprised A Parishioner ‘Upset’ About Latin
  • Fulton J. Sheen • “24-Hour Catechism”
  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”

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