Twelve (12) PDF Guides To Pronouncing Latin
Fr. Carlo Rossini’s is probably the best, but 11 more are also provided.
Articles
Liturgy Gone Wild
What do progressive liturgists truly want?
Pastoral Plan (Part 1 of 2)
The Pastoral Plan of the Archdiocese of Atlanta was released recently. How can we implement the plan to a parish music program?
Rare Video • Richard Nixon Meets With Pope Paul VI
Footage taken by John Ehrlichman a 1970s “home video reel.”
Liturgical Silence—But Not What You Think!
When I was young, I would have tried to argue.
Music That Hurts
“Was it not jealousy for the honor of thy house that consumed me? Was it not uttered against thee, the reproach I bore?”
PDF Download • “The Parish Hymnal” (1957)
“The origins of some are not known due to the long and nearly untraceable popular usage they have enjoyed.” —Gregorian Institute
Brave Schola Director Posts “Live” Recording • Part 2
We’re having a lot of fun…is that bad?
PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)
“These samples from Connelly make less sense in English than the Latin originals would to a North Korean.” —Msgr. Francis P. Schmitt
St. Thomas Choir School, NYC
Perhaps if we invested in better music in our parishes the Good New would be spread more effectively.
A Criticism & Good News
Another Look at Fr. Weber’s “The Proper of the Mass”
Lest we forget
Encouraging solemnity in a public space in Australia is no mean feat, but there are well known traditions which give the framework which elevates the simple, heartfelt speeches into a moving tribute to our fallen service men and women.
Resources • 3rd Sunday after Easter (1962 Missal)
The recording of the Introit “Jubilate Deo” was created by Jeff Ostrowski—hope it helps!
“Choral music is not one of life’s frills.”
Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper.
Polyphonic “Alleluia” for 3 voices • Morales (†1553)
I’ve always believed it’s a mistake to have all-women alto sections and all-men tenor sections.