PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”
My Mass setting for the Ordinary Form involves your Congregation, your Cantrix, and your Choir.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
My Mass setting for the Ordinary Form involves your Congregation, your Cantrix, and your Choir.
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“Please don’t get cocky and think of your methods as somehow innately superior or universally and inarguably superior in their benefits.” —Email from a Reader
“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams
“Here is offered choral music recommendations for all Sundays and major liturgical occasions of the church year, including selected Ritual Masses. The repertoire is submitted by CRCCM members and is offered to all musicians of liturgical churches throughout the world.”
“The ‘Lamb of God’ can reach the length of a baseball game.” —Cardinal Dolan
A month of William Byrd … in Dallas, Texas!
“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro
I will be privileged to field your questions alongside two well known and widely respected church musicians: Mary Ann Carr Wilson and Jennifer Donelson-Nowicka.
My setting begins with the entire congregation singing—but the middle section is SATB polyphony.
This coming Sunday is the 17th Sunday after Pentecost (EF).
Including a tip on preventing choirs from ‘sinking’ the pitch lower and lower.
My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.
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