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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · December 3, 2015

Video • The Voice of St. John Paul the Great

Two videos of John Paul II’s singing

Andrew Leung · December 3, 2015

CMAA Winter Sacred Music Workshop

Registration is now open for the CMAA Winter Sacred Music Workshop in Houston

Dr. Lucas Tappan · December 2, 2015

Sir Colin Mawby Composes Special “Ave Maria” For Kansas Choristers

Mr. Mawby emailed me two weeks after sending the music, saying he’d already purchased his plane ticket and would see us in Rome!

Jeff Ostrowski · December 2, 2015

Introit For The Immaculate Conception (8 December)

“Gaudens Gaudebo” is not a short Introit.

Veronica Moreno · December 2, 2015

On Stillness

This blog post is about a four-year-old who behaves at Mass and how the Extraordinary Form allows a father to learn to behave better at Mass.

Jeff Ostrowski · December 1, 2015

The Most Important Thing A Choirmaster Can Do

Sometimes it takes decades to appreciate the genius of this or that Gregorian chant.

Jeff Ostrowski · November 30, 2015

Changing The Good Friday Prayer For The Jews

“Christianity is the perfect development of the Jewish religion…” —Fr. Leslie Rumble

Jeff Ostrowski · November 29, 2015

Musical Resources • First Sunday of Advent (Extraordinary Form)

“Arise in thy strength, we beseech thee, O Lord, and come…”

Jeff Ostrowski · November 27, 2015

Clarity Regarding The Pius XII “Turkey” Indult

Whether this rumor is accurate makes no difference, because the rules for Friday abstinence were changed in the 1960s.

Richard J. Clark · November 27, 2015

American Influence on the Liturgy

The liturgy suffers under the weight of the culture of mediocrity and instant gratification. Most distressing is a false sense of liberty that promotes a sense of entitlement, placing the preferences and opinions of the individual above all else.

Jeff Ostrowski · November 24, 2015

Our Church Music Movement: How Are We Doing?

I never dreamed that so many people love this stuff…and are willing to fight for it!

Fr. David Friel · November 23, 2015

An Extraordinary Event: NCYC 2015

Traditional Mass offered at National Catholic Youth Conference

Fr. David Friel · November 22, 2015

St. Cecilia Academy for Pastoral Musicians

The program seeks to broaden the knowledge of already well trained musicians so that they can become well trained liturgical musicians.

Andrew Leung · November 19, 2015

What can Men Do Against such Reckless Hate?

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.” —Leonard Bernstein

Jeff Ostrowski · November 19, 2015

PDF Download • Hymnal by Fr. John Selner (1954)

Some of the old Catholic hymnals were dreadful, but this one is splendid.

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

Recent Posts

  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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