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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 22, 2015

A Serious Problem That Needs To Be Addressed

The accusation by this lady really hurt me; but I’m not sure why…

Jeff Ostrowski · September 22, 2015

Transposed Mode • This Sunday’s Communion

One could also use a Mode VII psalm tone to “solve” the problem … but that just sounds wrong.

Christopher Mueller · September 21, 2015

A Striking Approach To Performing Gregorian Chant

A commenter had posted, “Their metrical chant is a revelation!” That piqued my curiosity.

Fr. David Friel · September 20, 2015

A Missal for the Ordinariate

Concrete gestures that enter hearts and stir consciences are essential, inspiring in everyone that inner conversion that is the prerequisite for all ecumenical progress. — Pope Emeritus Benedict XVI

Jeff Ostrowski · September 19, 2015

Musical Resources • 17th Sunday after Pentecost (Extraordinary Form)

“Very humbly, O Lord, we implore of thy majesty, that the holy mysteries we are celebrating … save us from transgressing in the time to come …”

Veronica Brandt · September 19, 2015

How many tunes should we use?

Including a brief survey of tunes for Benediction hymns from a few of the hymnbooks on my bookshelf.

Jeff Ostrowski · September 19, 2015

“Agnus Dei” For Three Voices • Guillaume Dufay

…including a digression on why choirs hate Solfège.

Richard J. Clark · September 18, 2015

Communion Antiphons for Advent • World Library Publications

World Library Publications has published settings of Communion propers for Advent. Listen here to beautiful recordings directed by Paul French.

Andrew Leung · September 17, 2015

Pontifical Solemn High Mass in Steubenville

Students and Alumni of the Sacred Music Program of Franciscan University of Steubenville sang the Pontifical Solemn High Mass celebrated by Cardinal Burke.

Andrew Leung · September 17, 2015

Sir David Willcocks (1919-2015)

Sir David Willcocks passed away at home today aged 95.

Cynthia Ostrowski · September 16, 2015

Catholic Bulletin Art • Installment #69

Today’s installment is a picture of Saint Alphonsus Ligouri.

Jeff Ostrowski · September 16, 2015

“Live” Recording Of Polyphonic Kyrie VIII

Last Sunday we sang a beautiful composition by Richard Rice.

Jeff Ostrowski · September 16, 2015

“The songs and hymns presently in use need to be reconsidered.”

“…it is important to avoid musical forms which, because of their profane use, are not conducive to prayer.”

Cynthia Ostrowski · September 15, 2015

To God Who Giveth Joy To My Youth

“Old age steals on with its rich harvest and its peculiar trials, yet the same lips pronounce the same exultant words…”

Andrew Leung · September 15, 2015

10 Ideas for Practicing Choral Music

“Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own” by Doreen Fryling, a lifelong practice avoider.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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