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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · March 10, 2016

Yes or No? • Accompanying Chant with the Organ

One of the hottest topics in the field: should chanting be accompanied by the organ?

Dr. Alfred Calabrese · March 10, 2016

Has The Church Rejected Her Inheritance?

The richness of liturgy and music should never be abandoned.

Jeff Ostrowski · March 8, 2016

Undoing A “Wreckovation” Is Possible

A positive church transformation!

Dr. Lucas Tappan · March 8, 2016

They Lied To Me In Grad School

No matter what anyone else thinks, strive for greatness and never look back!

Jeff Ostrowski · March 7, 2016

PDF Download • “New Westminster Hymnal” (1939)

Can Watershed survive? (Part 4)

Fr. David Friel · March 6, 2016

Parish Lenten Programs • 15 Suggestions

Simply adhering to the liturgical traditions of the Church would be a wonderful Lenten program for every parish.

Guest Author · March 5, 2016

“To Sing With The Angels” • A History Of The Twin Cities Catholic Chorale

A guest article by Dr. Virginia A. Schubert.

Jeff Ostrowski · March 5, 2016

“Ave Maris Stella” • Take II

Have you ever changed your mind with regard to tempo?

Andrew Leung · March 3, 2016

Video • Why is Modern Art so Bad?

Why do we see so many ugly modern churches nowadays?

Jeff Ostrowski · March 3, 2016

Rehearsal Videos • My Favorite Lenten Hymn

Can Watershed survive? (Part 3)

Jeff Ostrowski · March 2, 2016

PDF Download • “Woodward Hymnal” (1913) … Outrageously Rare!

Can Watershed survive? (Part 2)

Jeff Ostrowski · March 1, 2016

| Part 1 of 3 | • “Kyrie Eleison” (SATB) within the reach of any choir!

Can Watershed survive? (Part 1)

Dr. Lucas Tappan · March 1, 2016

Choir and Cantor?

Please, let the choir lead!

Christopher Mueller · February 29, 2016

The Domestic Church and the domestic schola

The family that sings together prays together.

Jeff Ostrowski · February 28, 2016

Musical Resources • 3rd Sunday of Lent (EF)

“…free us from all sins and dangers, as Thou dost grant us to be sharers in this great mystery…”

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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