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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · July 11, 2016

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

“No preference is expressed in the liturgical legislation for either position.”

Jeff Ostrowski · July 9, 2016

“Quam Singulari” • Decree on First Communion (1910)

Pope St. Pius X wanted this decree to be read each year from the pulpit by all Catholic priests.

Richard J. Clark · July 8, 2016

Those Pesky Letters of Complaint

As surely as the sun rises in the East and sets in the West, someone will be unhappy. Displeasure does not discriminate.

Corpus Christi Watershed · July 7, 2016

Cardinal Sarah “Reform of the Reform” (5 July 2016) • Full Address in French & English

Breathtaking statements from the Vatican’s chief liturgist who—while on retreat—goes 72 hours without food or water.

Jeff Ostrowski · July 6, 2016

Sensational Hymn for St. Joseph … with Modern Polyphony!

We’ll be singing this piece a lot because our priest has a special devotion to St. Joseph.

Fr. David Friel · July 6, 2016

Pope Francis to Cardinal Sarah: Investigate an Official Reform of the Reform

Highlights from Cardinal Sarah’s Lecture at Sacra Liturgia UK 2016

Dr. Lucas Tappan · July 5, 2016

Sing the Mass

Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass.

Corpus Christi Watershed · July 4, 2016

Make A Donation Using PayPal

You can also donate using PayPal, even though we prefer Cornerstone.

Jeff Ostrowski · July 2, 2016

“Confiteor” Before Communion • Should It Be Done?

Six reasons in favor of the “Second Confiteor” and my thoughts.

Corpus Christi Watershed · July 2, 2016

Rev’d Fr. Adrian Fortescue (1874-1923)

At the time of his death, Fortescue was Professor of Church History at St. Edmund’s College, Ware—the oldest Catholic school in England.

Richard J. Clark · July 1, 2016

The Frontier of Liturgical Composition

The frontier of composition is clearly producing new settings of the propers in the vernacular, useful for a typical parish.

Dr. Lucas Tappan · June 30, 2016

Do My Eyes Deceive Me?

I’ve often told my choir members that before I die they will be singing from music displayed on some form of a tablet, but I never thought I’d see the Capella Sistina blazing the trail!

Dr. Alfred Calabrese · June 30, 2016

The Positive Impact Of Parish Events

These things must begin at the parish level.

Jeff Ostrowski · June 29, 2016

“Salve Virgo Singularis” • For Three Voices

I cannot imagine a more powerful text.

Dr. Lucas Tappan · June 28, 2016

Theology and Music

I hope and pray the Church continues to raise up true artists who will bring the Gospel to the world through the greatest of all the Church’s arts—Music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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