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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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    • René Goupil Gregorian Chant
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Views from the Choir Loft

Articles

Jeff Ostrowski · February 5, 2016

2016 • Sacred Music Symposium (Last Year’s)

We’re approaching capacity—if you’re interested, we need to hear from you soon!

Richard J. Clark · February 5, 2016

The Three Pillars of a Successful Parish

There are three pillars that must be in place for a parish to sow the seeds of growth and vibrancy. If any one of them falls, the others suffer.

Andrew Leung · February 4, 2016

Interview • Brandon Harvey, Founder of a New Institute

Brandon Harvey introducing the new Ministry Institute of Christ the Servant

Andrew Leung · February 4, 2016

BBC’s Choral Vespers from the London Oratory

The Sung Vespers is currently featured by BBC Radio 3

Cynthia Ostrowski · February 3, 2016

“Ad Orientem” Image You’ll Want To Download

This high resolution image portrays a priest offering Mass with the Holy Trinity above.

Jeff Ostrowski · February 3, 2016

Exclusive Interview • Mr. Nancho Alvarez

“I must point out that the content of my site is totally free, granting open access to everyone.” —Nancho Alvarez

Jeff Ostrowski · February 2, 2016

Ridiculously Awesome Sanctus You’ve Never Heard

We are not allowed to sing Tropes in the Extraordinary Form, so I added that text in italics.

Jeff Ostrowski · February 2, 2016

PDF Download • Simple Pieces For Roman Catholic Church Choirs (345 Pages)

First published in 1901 by Emile Dethier, organist at the Grand Seminary in Liège, Belgium.

Richard J. Clark · February 1, 2016

EWTN Broadcast • Mass of Ordination • First Bishop of the Personal Ordinariate of the Chair of St. Peter

The elevation of bishop by Pope Francis of Bishop-Elect Steven J. Lopes is highly significant as the First Bishop of the Personal Ordinariate of the Chair of St. Peter.

Jeff Ostrowski · January 31, 2016

Musical Resources • Sexagesima Sunday (EF)

“Grant, we humbly beseech Thee, almighty God, that those whom Thou refreshest with Thy sacraments…”

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Veronica Brandt · January 30, 2016

Make a Digital Piano Sound Like an Organ

Nothing beats a real pipe organ, but you may be able to put together a respectable substitute that you can lug into a church in a few bags.

Richard J. Clark · January 29, 2016

The Vulnerability of Choral Singing

The human voice voice is unique as it is the only musical instrument housed within our God given body. And those who sing before others utterly exposed and vulnerable.

Andrew Leung · January 28, 2016

Is the Latin Mass Dead?

The Latin Mass is dead in a sense, its “rubrical growth” stopped in 1962.

Andrew Leung · January 28, 2016

Diocese of Marquette Taking a Brave Step

Bishop John Doerfler’s new Instruction on Sacred Music in Divine Worship.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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