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Views from the Choir Loft

Articles

Corpus Christi Watershed · September 22, 2016

“For Immediate Release” • Re: Society for Catholic Liturgy Conference in Los Angeles

Archbishop Gomez will still speak, but the venue for Saturday has changed.

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Jeff Ostrowski · September 20, 2016

Catastrophic Results of USCCB “Interpretation”

“Peace, peace, peace on earth; peace to God’s people, all people on earth.”

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Dr. Lucas Tappan · September 20, 2016

Problems Encountered Teaching Rhythms

Well, today I decided to buck the system (in spite of my general LOVE of tradition) and simply referred to the various notes by their Takadimi syllables.

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Jeff Ostrowski · September 19, 2016

Musical Resources • 19th Sunday after Pentecost

“Let Thy healing power, O Lord, in mercy deliver us from our waywardness…”

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Fr. David Friel · September 18, 2016

Improving the Liturgy

Reflections on the Status of the Liturgical Movement

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Jeff Ostrowski · September 16, 2016

Musical Resources • 18th Sunday after Pentecost

“Let the operation of Thy mercy, we beseech Thee O Lord, direct our hearts…”

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Andrew Leung · September 15, 2016

The Power of Sacred Music

True Sacred Music brings hope and joy to those suffering.

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Jeff Ostrowski · September 14, 2016

Do You Recognize This Hymn Tune?

One man’s hymn sensitivities are another man’s…

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Cynthia Ostrowski · September 14, 2016

“Matri Divinæ Gratiæ” • 3-voice Motets (SAB)

Kevin Allen has released a collection every Roman Catholic choir will treasure!

Jeff Ostrowski · September 13, 2016

A Blemish On Hymnody Printing?

The word “Thy” is used in the Lord’s Prayer at every Mass, yet nobody struggles to understand it.

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Jeff Ostrowski · September 12, 2016

Greatest Church Music Book Ever Written?

This volume by Paul Hume is supremely addictive!

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Fr. David Friel · September 11, 2016

Composition Contest

Submissions Sought by the Conference of Roman Catholic Cathedral Musicians

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Jeff Ostrowski · September 10, 2016

Chief Reasons For Mass “Facing The People”

Are you being rude to people sitting in pews behind you?

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Jeff Ostrowski · September 9, 2016

A Serious Question About Vatican II

Vatican II spoke of “useless repetitions” in the liturgy, and said these should be examined…

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Richard J. Clark · September 9, 2016

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

These three elements inform most every aspect of our service to God and the faithful.

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Corpus Christi Watershed

President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
  • “Receipts + Invoices” • (CCW Subscribers)
  • Indisputable ‘King’ Among Protestant Hymnals?
  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)

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