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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 10, 2016

Chief Reasons For Mass “Facing The People”

Are you being rude to people sitting in pews behind you?

Jeff Ostrowski · September 9, 2016

A Serious Question About Vatican II

Vatican II spoke of “useless repetitions” in the liturgy, and said these should be examined…

Richard J. Clark · September 9, 2016

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

These three elements inform most every aspect of our service to God and the faithful.

Andrew Leung · September 8, 2016

Ten Reflections on “Pride of Place”

Giving Gregorian Chant the “pride of place” is more than just singing the Propers.

Jeff Ostrowski · September 6, 2016

Musical Resources • 17th Sunday after Pentecost

“We implore Thy majesty, O Lord, that the holy mysteries we are celebrating may free us of past sins and save us from future sins.”

Dr. Lucas Tappan · September 6, 2016

The Current Heresy

He was right, I spoke an unforgivable heresy—boys and girls are different.

Guest Author · September 5, 2016

Guest Article: “Why That Hymn Doesn’t Work”

Twelve Criteria to Help Explain Yourself

Fr. David Friel · September 4, 2016

Paul McCartney Likes Choir Music

Start your choir year with inspiration from an unlikely source.

Corpus Christi Watershed · September 4, 2016

Impressive Video — “Ad Orientem” Celebration

“Do it gradually, with proper catechesis, to avoid shocking the people.” —Most Rev’d Gracida

Jeff Ostrowski · September 3, 2016

Musical Resources • 16th Sunday after Pentecost

“Let Thy grace, we beseech Thee, O Lord … make us to be continually zealous in doing good works.”

Jeff Ostrowski · September 3, 2016

No Greater Advent Piece Exists

What Guerrero did with this Advent melody is mind-blowing!

Richard J. Clark · September 2, 2016

The Power of Wordless Presence

Many of us are gearing up our choir programs. Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s.

Andrew Leung · September 1, 2016

The First Catholic Diocese in East Asia

Macau is the first Roman Catholic diocese in East Asia.

Dr. Alfred Calabrese · August 31, 2016

Has Our Catholic Culture Been Completely Dismantled?

Art is not a form of propaganda; it is a form of truth.

Dr. Lucas Tappan · August 31, 2016

Give Yourself a Boost in the New Choral Year

The grandmother of 5 choristers informed me that one of her granddaughters told her rehearsal wasn’t long enough—it seemed to be over just as it was starting!

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

  • Pope Paul VI • “Sacrificum Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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