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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · December 10, 2016

PDF Download • “Rorate Mass” Booklet

Including a video snippet taken in Los Angeles.

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Jeff Ostrowski · December 9, 2016

Musical Resources • 3rd Sunday of Advent (EF)

“Rejoice in the Lord always; again I say, rejoice.”

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Jeff Ostrowski · December 9, 2016

Help! Why does my printer leave off the clivis?

When I print this entire booklet, the Communion inexplicably erases every clivis in the psalmody.

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Richard J. Clark · December 9, 2016

Strong Leadership and Admitting Mistakes • Two Stories

A sure sign of an insecure leader is one whose first instinct is to blame others when something goes wrong.

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Jeff Ostrowski · December 8, 2016

And Now … Some Fantastic News!

Good people really do exist.

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Jeff Ostrowski · December 8, 2016

PDF Download • Immac. Conception Music Booklet

Make sure to read the translation of the Offertory Hymn—so gorgeous!

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Corpus Christi Watershed · December 8, 2016

Print This For Your Children To Color

Courtesy of John Sonnen.

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Dr. Lucas Tappan · December 6, 2016

Where Does Your Heart Lie?

If Christmas day arrives and you haven’t been to confession, your daily prayer has suffered, and you haven’t eaten supper with your family at least five nights a week during Advent, you’re in too far.

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Jeff Ostrowski · December 6, 2016

“Ad Orientem” • Archbishop Naumann’s Letter

“…there are, in the core of the Church’s sacramental teaching and experience, good contentions and corollary arguments to be made for both practices.” —Archbishop Naumann

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Jeff Ostrowski · December 5, 2016

Lay Faithful Have Begun A Facebook Page

…for the new FSSP Apostolate in Los Angeles.

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Richard J. Clark · December 5, 2016

Communion Antiphons for Christmas on “Sounds from the Spires”

“Sounds from the Spires” has been a great supporter of sacred music in the liturgy, bringing choral music, chant, and the pipe organ to a broad audience.

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Jeff Ostrowski · December 5, 2016

Bishop of Manchester • Letter Re: “Ad Orientem”

A $12,000 reward will be given to anyone who can produce a Vatican II document mentioning “celebration facing the people.”

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Fr. David Friel · December 4, 2016

The Renewal of Adoremus

The “Society for the Renewal of the Sacred Liturgy” is itself experiencing renewal.

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Jeff Ostrowski · December 2, 2016

Does Your Choir Sing Perfectly?

Why do we avoid telling the ones we love how we feel about them?

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Jeff Ostrowski · December 1, 2016

Musical Resources • 2nd Sunday of Advent (EF)

“Be appeased, we beseech Thee, O Lord, by the prayers and offerings of our lowliness…”

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“The director should not allow any one to pre-intone who is not able to do it, lest ridiculous mistakes should occur; he should suppress all singing out of tune, all shouting, and all arbitrary harmonising by the singers, and should see that in responding to the celebrant, the choir invariably take up the tone corresponding to his.”

— Manual of Roman Chant (1860) by a Priest of the Congregation of the Most Holy Redeemer

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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