“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)
Dedicated to my brother, Father Mark Ostrowski.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Dedicated to my brother, Father Mark Ostrowski.
Visit a random church on Sunday morning and ask parishioners basic questions…
This clip was sent to us. The conductor is Martin Baker!
Justice Clarence Thomas attended the seminary for several years, including “Conception” (north of Kansas City).
Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.
This version by Father Adrian Fortescue is fascinating!
A disturbing video sent to us from the Diocese of Superior (Wisconsin).
Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”
I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.
“To Richard Clark, music director of the Cathedral of the Holy Cross in Boston, few sounds are as joyful to hear as over 100 children singing in unison…”
Professor Bouyer later admitted (in his memoirs) that his team of liturgical reformers had been doomed from the start, since their goal was “recasting from top to bottom—𝘢𝘯𝘥 𝘪𝘯 𝘢 𝘧𝘦𝘸 𝘮𝘰𝘯𝘵𝘩𝘴!—an entire liturgy which had required twenty centuries to develop.”
“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger
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