“An Initiation to Gregorian Chant” (Msgr. Turco)
Guest article by Father Stephen Concordia, OSB.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.
We Church musicians have a high calling to bear witness to the truth with our music and our lives.
The special Vigil of Christmas “Alleluia” sung according to the official rhythm of the Catholic Church.
For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent.
This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).
Including several hymns eminently suitable for the feast of Christ the King.
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We can think of the modes and their traditional characters in a dynamic way, and it can help us to have a little more shape and direction in our singing.
This afternoon, it was suggested to me that I write down (“notate”) the arrangement I use.
This week I attended part of an excellent academic conference in honor of William Mahrt.
A way to avoid having the choir’s pitch sink. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)
The “SSS” technique, known by every great singer. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)
They posed after the concert for a photograph with the composer.
“Each day Father Knox would write for his students a Latin poem describing events of the previous day.” —Archbishop Fulton J. Sheen
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