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Views from the Choir Loft

Articles

Andrew Leung · January 5, 2017

PDF Download • “Missa de Angelis” (Fr. Castro)

Fr. Áureo Castro’s setting alternates the chant melody and the choral parts.

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Jeff Ostrowski · January 5, 2017

Best Mystery Movie Of All Time!

Every so often, we stumble across true excellence. Here’s a prime example.

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Guest Author · January 3, 2017

New! • Easy Choral Extension Mass (Ordinary Form)

How to make polyphony work for your Ordinary Form Choir.

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Dr. Lucas Tappan · January 3, 2017

God or Nothing

I think we can slay the current and popular belief that by making the liturgy, and by extension liturgical music, “relevant” to people we will somehow bring them back to God.

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Jeff Ostrowski · January 3, 2017

New Microphone

Please let me know your thoughts in the FB combox…

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Jeff Ostrowski · January 3, 2017

Major Problems with “Holy Family” Feast

This feast has been moved *four times* since it was created in 1893…but that’s not my problem.

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Jeff Ostrowski · January 3, 2017

Musical Resources • Holy Family (EF)

Communion anthem: “Jesus went down with them, and came to Nazareth and was subject to them.”

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Fr. David Friel · January 3, 2017

The Hallowed Name 1

To Use or Not to Use?

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Jeff Ostrowski · January 2, 2017

“Table Altar” vs. “High Altar” (Novus Ordo)

It’s incorrect to say new Churches must be constructed with table altars.

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Jeff Ostrowski · January 1, 2017

A Majestic Christmas Hymn That Isn’t Difficult

“Here lies He in the manger, alleluia, Who reigns without end, alleluia, alleluia.”

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Fr. David Friel · January 1, 2017

New Details on Dunwoodie Chant Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

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Richard J. Clark · December 31, 2016

Mary was one of the strongest women to ever walk planet Earth.

“Meek,” “mild,” “humble,” and “lowly” are mistaken for submission and weakness. Only a person of great strength could possess such qualities.

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Jeff Ostrowski · December 31, 2016

Brave Schola Director Posts “Live” Recording…

A snippet caught by a generous alto at Candle-lit Mass in Hollywood.

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Veronica Brandt · December 30, 2016

The longest 54 seconds in a Missa Cantata

Directing music for a Sung Mass can be terrifying. Here’s a tip to help you avoid one trap.

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Follow the Discussion on Facebook

Dr. Lucas Tappan · December 27, 2016

A Christmas Carol

Keep the flame of the true Christmas spirit burning brightly and carol to your heart’s content.

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • These Photographs Are Utterly Astounding !
  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymn
  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass

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