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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 10, 2017

GoFundMe Campaign • Needing Scholarships!

Sacred Music: “Curse the darkness…or light a candle?”

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Jeff Ostrowski · March 10, 2017

Musical Resources • 2nd Sunday of Lent 1

“O God, Who seest how we are destitute of all strength…”

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Richard J. Clark · March 10, 2017

Pope Francis, Sacred Music, and the Biggest Stage

Such musical exhortations are not new, but the tone and visibility are.

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Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

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Jeff Ostrowski · March 7, 2017

Vatican II • What You Were Too Embarrassed To Ask

Fr. Christopher Smith has created a 7-part series on Vatican II.

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Dr. Lucas Tappan · March 7, 2017

Let Everything That Hath Breath Praise the Lord!

Point us once again to God Who is Beauty Itself!

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Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

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Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

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Veronica Brandt · March 4, 2017

O Crux Ave, partial recording

A stepping stone towards singing this motet with a small choir – a recording for the middle voice of Fr Friel’s 3 part motet.

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Richard J. Clark · March 4, 2017

Pope Francis on musical quality: “mediocrity, superficiality, and banality”

“Sometimes a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations.”

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Jeff Ostrowski · March 4, 2017

Did You Forget This Fabulous Lenten Hymn?

The psalm verses are optional—making this piece as long or short as you desire.

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Jeff Ostrowski · March 3, 2017

Choirmasters, Your Job Is Hard Beyond A Doubt

What does sacred music have to do with the O. J. Simpson murder trial?

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Guest Author · February 28, 2017

EF Divine Office Resource • Daily Recordings of Lauds

“At the crowing of the cock, hope returns…”

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Jeff Ostrowski · February 28, 2017

Giacomo Cardinal Lercaro (1891-1976)

“There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: why?” ~ Msgr. Richard J. Schuler

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Fr. David Friel · February 26, 2017

The Purpose of Art

Considerations from Tolstoy

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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