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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · April 21, 2017

Nine Questions About The Latin Mass You Were Too Embarrassed To Ask

When I first attended the Traditional Mass, I hated it.

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Veronica Brandt · April 20, 2017

Patterns in the Easter Sequence

I had a go at finding the structure of the melody…

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Dr. Lucas Tappan · April 18, 2017

Chorister Training • Regensburg Cathedral Choir School

Here we see the result of so much hard work, one of the great Cathedral Choirs of the world!

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Corpus Christi Watershed · April 17, 2017

G.I.A. Publications President: “Statement on Composer David Haas”

Alec Harris (President of GIA Publications) “can’t overestimate the profound impact” that David Haas had on “everyone at GIA Publications.”

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Jeff Ostrowski · April 17, 2017

PDF Download • Last Minute Holy Saturday File

“The use of Psalm 150 is a change from the experimental Easter Vigil (1951-1955) in which Psalm 116 was used for Lauds.” —Msgr. McManus

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Guest Author · April 17, 2017

Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 2 of 3)

The polyphonic imitative style of the Renaissance is a refection of the rational mind and the music of heaven.

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Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

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Jeff Ostrowski · April 15, 2017

“Reproaches” for Good Friday (Recording)

The indispensable “Musician’s Guide to Good Friday,” including a 50-page PDF and rehearsal videos!

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Richard J. Clark · April 14, 2017

Descent into Hell and The Greatest Act of Love

Read the words of John 3:16 again.

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Jeff Ostrowski · April 13, 2017

Do these Holy Thursday rubrics strike you as odd?

I haven’t studied the situation enough to know with certainty.

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Jeff Ostrowski · April 12, 2017

Musical Resources • Holy Thursday (EF)

“O God, from Whom Judas received the punishment of his crime, and the thief the reward of his confession…”

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Jeff Ostrowski · April 12, 2017

“Contemporary” Catholic Music • Is it truly dead?

Today we announce a special guest who will be present at the Sacred Music Symposium!

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Jeff Ostrowski · April 10, 2017

PDF Download • Booklet for Congregation

May I share a secret?

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Jeff Ostrowski · April 10, 2017

Accompaniment: “Credo III” (Parochial Hymnal)

Easiest organ accompaniment to Credo III ever penned.

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Fr. David Friel · April 9, 2017

Square Note App

Bring your “Graduale Digitalum” wherever you go.

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Corpus Christi Watershed

President’s Corner

    Music List • (15th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 15th Sunday in Ordinary Time (Year A), which is 12 July 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are some of the most ‘traditional’ I have chosen (and were chosen by our pastor). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    Shortest Psalm In The Bible
    The shortest chapter in the whole Bible—as well as the shortest psalm—is PSALM 116 (“Laudáte Dóminum ómnes géntes”), which consists of just two verses. German-speaking Catholics did something really splendid (PDF) with PSALM 116. I was alerted to this many years ago by none other than Monsignor Robert Alexander Skeris. Click here to download—from different Catholic hymn books—ten (10) different harmonizations for this fabulous hymn.
    —Jeff Ostrowski
    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

Recent Posts

  • ‘Ould’ But Not Good
  • PDF Download • Vocal Warm-Up for Choirs — “Harmonized Minor Scale” Exercise
  • “Website Subscriptions” • (Update: 30 June 2026)
  • Unbelievable (Yet Undeniable) Reality Re: Our Current Lectionary • PDF Included—124 Pages
  • PDF Download • New Westminster Hymnal (472 pages) “Transcribed” — 34,600 words!

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