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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · January 24, 2017

Chorister Pitfalls

A misguided belief states that the quality of our liturgical music should be sacrificed on the altar of good intentions.

Jeff Ostrowski · January 23, 2017

More From The New Microphone

This Introit is repeated many times, depending on how many Sundays occur after Epiphany.

Fr. David Friel · January 22, 2017

Motet for Three Voices: “O Crux Ave” 1

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.

Richard J. Clark · January 20, 2017

Communion Antiphons for Lent & Easter • NEW • World Library Publications

This is perhaps my favorite collection to date.

Fr. David Friel · January 19, 2017

Debriefing “Silence”

Thoughts on Martin Scorsese’s Latest Film

Jeff Ostrowski · January 17, 2017

PDF • “The Book of Ceremonies” (629 pages)

By Rev. Laurence J. O’Connell, and *published in English* in 1943.

Jeff Ostrowski · January 16, 2017

Nine Rubrics for Mass in the Extraordinary Form

These rubrics are official; so when does your church begin the Introit?

Jeff Ostrowski · January 16, 2017

Courageous Schola Director Posts “Live” Recording

Our choir is 100% volunteers—and many don’t read music.

Fr. David Friel · January 15, 2017

Cosmic Harmony

Thoughts from Saint Athanasius

Veronica Brandt · January 14, 2017

Forget the First Note, give me the Do

A tip for sight-reading chant – start with a Do La Fa to anchor your ear and find the starting note from the tonic.

Jeff Ostrowski · January 14, 2017

Ratzinger talks “Ad Orientem” (2003)

Cardinal Ratzinger’s English is *fantastic* (as this video shows).

Richard J. Clark · January 13, 2017

Nuptial Blessings • Practice Videos • Order of Celebrating Matrimony

Fr. Gaspar eloquently emphasis key words and phrases, underscoring the beauty of the sacrament.

Andrew Leung · January 12, 2017

The Role of Catholic Church Choir

Keep God as the center of the choir and direct our music towards Him.

Corpus Christi Watershed · January 12, 2017

Fr. Magiera Reviews The Campion Hymnal

“These renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.”

Corpus Christi Watershed · January 11, 2017

Practice Tracks • Ainslie’s “English Proper Chants”

Want a reliable and accessible way to learn the John Ainslie “English Proper Chants” for your parish choir? Subscribe for *free* weekly practice videos!

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • “Reminder” — Month of December (2025)
  • PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)
  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers

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