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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · August 8, 2017

Fr. Patrick T. Brannan, SJ • My Tribute

The cardinal was informed by ICEL: “There is no doubt that Father Brannan knows his Latin and Greek; but does he know English?”

Jeff Ostrowski · August 7, 2017

PDF Download • “Hymns Ancient & Modern”

Including a magnificent hymn for two voices (“Rex Sempiterne”) appropriate throughout the entire liturgical year.

Fr. David Friel · August 4, 2017

The Scandal and Allure of the Priesthood

A Reflection on Priesthood by Archbishop Philip Tartaglia

Jeff Ostrowski · August 3, 2017

Telephone Conversation w/ Faculty

Re: 2017 Sacred Music Symposium

Jeff Ostrowski · August 2, 2017

Musical Resources • Feast of the Transfiguration

“…and Who didst wonderfully foreshow the perfect adoption of Thy children by a voice coming down in a shining cloud…”

Jeff Ostrowski · August 2, 2017

Chants for the Feast of the Transfiguration

Never have I encountered so many typos in one feast!

Jeff Ostrowski · August 2, 2017

“Chanted Angelus” • Where does it come from?

Did Dom Charpentier compose this chant? Really?

Andrew Leung · August 1, 2017

In Defense of the “Sistine Screamers”

There are a few things I would like to point out in defense of their old choral approach.

Jeff Ostrowski · July 31, 2017

Major Typo • This Sunday’s Introit

Can you spot the error?

Fr. David Friel · July 30, 2017

Pastoral Care of Persons with Disabilites

Catholics with disabilities have a right to participate in the sacraments as fully as other members of the local ecclesial community.

Richard J. Clark · July 28, 2017

The “Charism” of Saying “No”

The ability to say “no” is an important gift of which much good can come, if used with wisdom, mercy, and kindness.

Jeff Ostrowski · July 27, 2017

Musical Resources • 8th Sunday after Pentecost

“We have received Thy mercy, O God, in the midst of Thy temple…”

Jeff Ostrowski · July 27, 2017

How Is The “Kiss of Peace” Done Properly?

Do the Altar Servers receive the Kiss of Peace?

Jeff Ostrowski · July 26, 2017

Seven Rules for Church Music (Sir Richard Terry)

“Is plainsong really so dull and dry as some of our singers would have us believe?”

Christopher Mueller · July 25, 2017

What really happened at the Convocation of Catholic Leaders

Beautiful liturgical music happened—in a hotel ballroom, no less!

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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