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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · November 5, 2017

Prayers of Preparation and Farewell

Two prayers for improving one’s liturgical disposition

Jeff Ostrowski · November 3, 2017

Never Print With Adobe Acrobat

It’s remarkable that owning fully-updated software and pristine hardware makes no difference…

Andrew Leung · November 2, 2017

Video • My New Project

Vox Antiqua, the new Catholic professional choir in Hong Kong, in action!

Jeff Ostrowski · November 2, 2017

PDF Download • All Souls Day

Here’s the booklet we used for All Souls (2 November).

Jeff Ostrowski · October 31, 2017

Brave Director Posts “Live” Recording

A word of encouragement for choirmasters…

Jeff Ostrowski · October 30, 2017

Powerful & Thought-Provoking

“We are giving the world a chance to think about the ethics of choosing which humans get a chance at life.”

Jeff Ostrowski · October 30, 2017

Hymn by Professor at St. Charles Borromeo Seminary

This PDF score has the Latin (on one side) and two English versions on the other.

Jeff Ostrowski · October 29, 2017

PDF Download • Congregational “Dies Irae”

…including two reasons I believe a liturgical reform was desired in the 1960s.

Fr. David Friel · October 29, 2017

All Saints and the Extraordinary Form of the Mass

The Roman Rite gives strong attention to the presence of the saints.

Richard J. Clark · October 27, 2017

A Requiem on All Souls Day at St. Patrick’s Cathedral

This work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

Andrew Leung · October 26, 2017

Singing with Peter Philips

Peter Philips: “Polyphony shouldn’t be sung with absolute straight tone—that is not real singing!”

Jeff Ostrowski · October 26, 2017

Josquin Des Prez Vandalized Stuff (!)

It’s hard for us to remember that the famous composers were not hired as such—they were hired as singers.

Jeff Ostrowski · October 26, 2017

Christ The King Sunday (5th in October)

“Jesus answered: Thou sayest that I am a King. For this was I born, and for I this came I into the world…”

Jeff Ostrowski · October 25, 2017

“Why Sacred Music Hasn’t Been Killed” [Six Reasons]

Lyrics from GIA Worship IV Hymnal: “Who is this who eats with sinners, calling luckless losers winners?”

Fr. David Friel · October 22, 2017

The Spirit of All Souls’ Day

A thought from Dietrich von Hildebrand

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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