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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

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Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

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Guest Author · April 16, 2018

What does Cicero have to do with the Breviary?

A proposal for “mutual enrichment”

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Andrew Leung · April 12, 2018

Photos • Two Recent Solemn Masses in Hong Kong

This wasn’t my first time serving as a subdeacon, but it was a trembling experience.

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Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

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Fr. David Friel · April 8, 2018

The Turns at Benediction

To the Right or to the Left?

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Jeff Ostrowski · April 5, 2018

“ Dissonance? ” • Gregorian Accompaniment

Nothing could be further from the truth!

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Fr. David Friel · April 3, 2018

Ratzinger’s 1987 Letter to a Former Catechism Student

The Pope Emeritus presents church music as something central to life.

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Jeff Ostrowski · April 2, 2018

I Was Wrong to Dread the “Pre-1955” Holy Week

Five (5) differences between the ancient rites of Holy Week (“Pre-1955”) and the Pius XII version.

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Jeff Ostrowski · April 2, 2018

“Crotalus” • How Does It Sound?

Holy Thursday pew version from a pocket recorder.

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Fr. David Friel · April 1, 2018

Summer Chant Courses—Dunwoodie

Two course offerings from the St. Cecilia Academy for Pastoral Musicians

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Corpus Christi Watershed · March 29, 2018

FSSP Palm Sunday (2018) • “Pre-1955 Rubrics”

Rome gave permission this year to a few parishes to use the “Pre-1955” Holy Week.

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Veronica Brandt · March 28, 2018

Ratchets instead of Bells for your Electric Angelus

Remember to change any electronic bells this Friday and Saturday! Links to some good ratchet sounds included.

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Jeff Ostrowski · March 27, 2018

PDF Download • Organ Accompaniment for “Vexilla Regis” (Hymn) by Fr. Adrian Fortescue

When I saw this page, my opinion of Fortescue went down—but then I remembered…

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Jeff Ostrowski · March 26, 2018

Musical Resources • Holy Thursday (FSSP, 2018)

“…Who didst establish the salvation of mankind on the tree of the Cross; that whence death came, thence also life might arise again, and that he, who overcame by the tree, by the tree also might be overcome…” —Preface

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings
  • Stained Glass Window • Father Brébeuf

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