Views from the Choir Loft

Articles

Jeff Ostrowski · February 1, 2018

Video • Ratzinger made a Cardinal by Paul VI

Quite beautiful, but I prefer a different harmonization of “Holy God We Praise Thy Name”…

Jeff Ostrowski · February 1, 2018

Sexagesima Sunday (Extraordinary Form)

“Now they upon the rock are they who when they hear, receive the word with joy…”

Andrew Leung · February 1, 2018

A Chinese Mass Setting

A Mass setting from the Far East composed by Fr. Si-Yan Tang.

Fr. David Friel · January 31, 2018

Sacra Liturgia 2019 in Toronto

Dates for the next Sacra Liturgia conference have just been announced.

Dr. Alfred Calabrese · January 30, 2018

Repetition at the School Mass: “Do it again!”

Grown up people are not strong enough to exult in monotony.

Andrew Leung · January 30, 2018

Cardinal Zen’s Open Letter

Cardinal Zen explaining the current situation of the Church in China.

Fr. David Friel · January 28, 2018

The Hillbilly Thomists

A New Dominican CD

Jeff Ostrowski · January 28, 2018

PDF Download • “Agnus Dei” … for Lent

…including rehearsal videos for each individual voice!

Veronica Brandt · January 27, 2018

Can You Sing Along to Monks?

A video to supplement our local choir practices – a quick run through Missa Orbis Factor (also known as Mass XI) – the Gregorian Mass setting for Sundays during the year.

Jeff Ostrowski · January 26, 2018

Septuagesima Sunday (Extraordinary Form)

“The groans of death surround me, the sorrows of hell encompassed me…”

Andrew Leung · January 25, 2018

FREE • Chant Conducting Seminar

Register now!!! Free online seminar on Gregorian Chant Conducting with Dr. Jennifer Donelson

Jeff Ostrowski · January 24, 2018

English Prayers at EF Mass • How old are they?

The English translation memorized by “Latin Mass” Catholics goes back centuries!

Dr. Lucas Tappan · January 23, 2018

Forward, Ever Forward!

One day, God willing, when He calls you into the New and Eternal Jerusalem, you will discover the eternal consequences of the offering of your widow’s mite.

Jeff Ostrowski · January 22, 2018

PDF Download • Dom Pothier Biography (1947)

“Dom Pothier himself acted as an illustrator, decorating his work with vignettes, illuminated capitals, tailpieces, even full-page illustrations representing the mysteries of the Annunciation and Christmas.”

Fr. David Friel · January 21, 2018

Dedication of the Cathedral Basilica of Mary, Queen of the World

Three new choral works featured during this celebration on 13 October 2017.

Good Friday Flowers

Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.

—Jeff Ostrowski

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

“Dies Irae” • A Monstrous Translation

It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski