Views from the Choir Loft

Articles

Andrew Leung · June 7, 2018

Raising the Musical Standards (Part 1)

The low musical standards in churches these days…

Dr. Lucas Tappan · June 5, 2018

The Beauty of Dance

There shall surely be dancing in Heaven.

Jeff Ostrowski · June 5, 2018

Sanctus & Benedictus • “Ave Maris Stella” (Victoria)

We’ve released rehearsal videos for the Kyrie—today, we release the Sanctus & Benedictus!

Jeff Ostrowski · June 4, 2018

CCW Receives Praise … on Television!

An excellent series on Church music

Corpus Christi Watershed · June 3, 2018

Sacred Music Symposium (2018)

“After such a joyful and music-filled week, I’m feeling refreshed and motivated to change the world!” —Participant from 2017

Veronica Brandt · June 2, 2018

FSSP Camp in Sydney, Australia

Living the Liturgy requires a little study. Learning Thomistic philosophy opens up new dimensions to the prayers we love so much.

Richard J. Clark · June 1, 2018

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

“My wish is that our viewers will walk into Sunday Mass with a new attentiveness…” — Stephanie Scogna

Andrew Leung · May 31, 2018

Summer Sacred Music Workshop 2018

Summer Sacred Music Workshop 2018 in Charlotte, NC!

Jeff Ostrowski · May 31, 2018

Is The Brébeuf Hymnal Too Scrupulous?

Why so much deliberation over every choice? Why so much discussion about a single stanza, or even a single word?

Jeff Ostrowski · May 28, 2018

How Serious Are They About The Accent?

Mode 7 is one of the “tricky” psalm tones.

Jeff Ostrowski · May 28, 2018

Can Plainsong Be Harmonized? • (Rehearsal Video)

I included several nasty “Medicæa” harmonizations from the 19th century…

Fr. David Friel · May 27, 2018

The Centrality of the Sign of the Cross

The Roman Rite revolves around this sign of our salvation

Guest Author · May 27, 2018

Marian Concert: Carmelite Sisters and Credo Choir

The Carmelite Sisters at Santa Teresita rarely sing for the public.

Jeff Ostrowski · May 22, 2018

Rehearsal videos • Missa “Ave Maris Stella” (Victoria)

The Alto line goes down low a few times—but in those days, men might have sung this.

Veronica Brandt · May 19, 2018

Benedictines in Tasmania a Year Already

The Notre Dame Priory continues to attract postulants and may have found a permanent home.

‘German’ Introductions for Hymns

German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.

—Jeff Ostrowski

Buckfast Abbey Weighs In

Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.

—Jeff Ostrowski

Responsorial Psalm Fauxbourdon?

When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski