Views from the Choir Loft

Articles

Jeff Ostrowski · June 24, 2018

(Recorded Live) • “Agnus Dei” at the Symposium

About 450 people attended the Mass on Friday night

Jeff Ostrowski · June 19, 2018

iPhone Clip • From Sacred Music Symposium 2018

This year’s Symposium has begun…with a bang!

Fr. David Friel · June 16, 2018

Sacred Music Camp in Allentown, NJ

New Opportunity for Children Grades 3–12

Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

Andrew Leung · June 14, 2018

Raising the Musical Standards (Part 2)

Raising the musical standards leads to deeper prayers…

Jeff Ostrowski · June 12, 2018

“Come Holy Ghost” • Improvisation

Can you improvise?

Veronica Brandt · June 10, 2018

Save the World: Build More Carmels

Society grows great when old men plant trees whose shade they know they shall never sit in.

Fr. David Friel · June 10, 2018

Sacred Music Camp for Children in Philadelphia

The Inaugural “Cantate Domino” Festival

Veronica Brandt · June 9, 2018

Perpetual Succour Passes the Equator

One young doctor sailing across the Pacific Ocean to raise money for the Indigenous Literacy Foundation. You do meet all sorts at Mass.

Jeff Ostrowski · June 8, 2018

“No, I was taught that in school…”

The famous wit of William F. Buckley Jr. is quite conspicuous in this clip.

Andrew Leung · June 7, 2018

Raising the Musical Standards (Part 1)

The low musical standards in churches these days…

Jeff Ostrowski · June 5, 2018

Sanctus & Benedictus • “Ave Maris Stella” (Victoria)

We’ve released rehearsal videos for the Kyrie—today, we release the Sanctus & Benedictus!

Dr. Lucas Tappan · June 5, 2018

The Beauty of Dance

There shall surely be dancing in Heaven.

Jeff Ostrowski · June 4, 2018

CCW Receives Praise … on Television!

An excellent series on Church music

Corpus Christi Watershed · June 3, 2018

Sacred Music Symposium (2018)

“After such a joyful and music-filled week, I’m feeling refreshed and motivated to change the world!” —Participant from 2017

Good Friday Flowers

Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.

—Jeff Ostrowski

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

“Dies Irae” • A Monstrous Translation

It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001