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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · April 8, 2018

The Turns at Benediction

To the Right or to the Left?

Jeff Ostrowski · April 5, 2018

“ Dissonance? ” • Gregorian Accompaniment

Nothing could be further from the truth!

Fr. David Friel · April 3, 2018

Ratzinger’s 1987 Letter to a Former Catechism Student

The Pope Emeritus presents church music as something central to life.

Jeff Ostrowski · April 2, 2018

I Was Wrong to Dread the “Pre-1955” Holy Week

Five (5) differences between the ancient rites of Holy Week (“Pre-1955”) and the Pius XII version.

Jeff Ostrowski · April 2, 2018

“Crotalus” • How Does It Sound?

Holy Thursday pew version from a pocket recorder.

Fr. David Friel · April 1, 2018

Summer Chant Courses—Dunwoodie

Two course offerings from the St. Cecilia Academy for Pastoral Musicians

Corpus Christi Watershed · March 29, 2018

FSSP Palm Sunday (2018) • “Pre-1955 Rubrics”

Rome gave permission this year to a few parishes to use the “Pre-1955” Holy Week.

Veronica Brandt · March 28, 2018

Ratchets instead of Bells for your Electric Angelus

Remember to change any electronic bells this Friday and Saturday! Links to some good ratchet sounds included.

Jeff Ostrowski · March 27, 2018

PDF Download • Organ Accompaniment for “Vexilla Regis” (Hymn) by Fr. Adrian Fortescue

When I saw this page, my opinion of Fortescue went down—but then I remembered…

Jeff Ostrowski · March 26, 2018

Musical Resources • Holy Thursday (FSSP, 2018)

“…Who didst establish the salvation of mankind on the tree of the Cross; that whence death came, thence also life might arise again, and that he, who overcame by the tree, by the tree also might be overcome…” —Preface

Fr. David Friel · March 25, 2018

Liturgy outside Liturgy

A New Study of the Liturgical Theology of Alexander Schmemann

Guest Author · March 24, 2018

Towards An Online (Modern) Palestrina Edition

“I don’t think I need to say why a complete Palestrina online would be a good idea.” —Gervais Frykman

Jeff Ostrowski · March 19, 2018

Fighting With A Bishop • Good Idea?

“We are fully determined to restore Latin to its position of honor.” —Saint John XXIII (22 February 1962)

Fr. David Friel · March 18, 2018

The Preface of the Holy Cross

An eloquent liturgical text worthy of prayerful reflection

Richard J. Clark · March 16, 2018

Eight Lessons • “Make Musicians Love Working With You”

Good-hearted musicians amplify success musically, economically, and spiritually.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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