Guest Article • “Composing a Responsorial Psalm”
What makes for a good responsorial psalm setting? Is it mere singability, a catchy tune, or something more?
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

What makes for a good responsorial psalm setting? Is it mere singability, a catchy tune, or something more?

Trumpeter, Richard Kelley’s lyricism can be compared to that of an oboe or clarinet. His soul and humanity pours forth in his playing.

Young people today aren’t yearning for the ancient expressions of the Church’s liturgical life merely due to a distorted view of a supposedly golden former age…

“We implore Thy majesty, O Lord, that the holy mysteries we are celebrating may free us of past and save us from future sins.”

“Gentlemen of the congregation—you are the priests of the domestic church.” —Fr. Christopher Smith

This weekend will mark the beginning of Masses offered at the parish.

“When thou art invited to a wedding, sit not down in the first place, lest perhaps one more honorable than thou be invited by him…”

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know.
On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat.
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