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Views from the Choir Loft

Articles

Jeff Ostrowski · October 23, 2019

Fascinating! • Tridentine “Permission Slip” (1985)

In this riveting document, Archbishop Weakland forbids one’s child from attending a Low Mass—wicked beyond a doubt!

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Jeff Ostrowski · October 21, 2019

New Typesetting! • “Kyriale Supplement” (1934)

Mr. Andrew Hinkley has done something marvelous…again!

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Jeff Ostrowski · October 19, 2019

PDF Download • Palestrina Kyrie (Part 2 of 3)

“Dazzlingly luscious” is probably best way to describe this Mass.

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Richard J. Clark · October 18, 2019

The Tradition Continues! • Seven Organists Perform

“…every bit of carpeting was removed and replaced with marble and stone…”

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Jeff Ostrowski · October 16, 2019

“Hidden” Hymns by Cardinal Newman

Fr. Nicholls points out that Saint Newman was an admirer of Beethoven at a time when Beethoven was still living.

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Dr. Lucas Tappan · October 15, 2019

A Professional Choir in Six Months

I often wonder if some of the vitriol directed against the Church’s music is due to its less than stellar presentation.

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Jeff Ostrowski · October 10, 2019

Incredible!!! • Ancient Kyriale MSS for Download

Through the centuries, we observe a remarkable stability—in spite of variants, which will always exist.

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Jeff Ostrowski · October 7, 2019

PDF Download • SATB “Sanctus” by Orlando de Lassus

We have completed part 1. When part 2 is finished, we’ll release that, as well.

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Richard J. Clark · October 4, 2019

Pope Francis’ Address on Sacred Music: “Liturgy is the first ‘teacher’ of catechism.”

“Do not forget this: the liturgy is the first ‘teacher’ of catechism.” — Pope Francis

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Jeff Ostrowski · October 3, 2019

Pope Francis: “Promote The Presence Of The Schola Cantorum In Every Parish Community!”

Pope Francis said (28 September 2019) that liturgical music must be Holy, Artistic, and Universal.

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Dr. Lucas Tappan · October 1, 2019

A *What* School ?!!

These are things a choir director needs to think about as he plans to build a successful choral foundation at his own cathedral or parish.

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Jeff Ostrowski · September 30, 2019

Brave Schola Director Posts iPhone Recording

Sometimes the obstacles faced by choirmasters seem completely overwhelming.

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Richard J. Clark · September 27, 2019

Saint Paul’s Choir School • Open Houses

Saint Paul Choir School cordially invites you and your son to thier Open Houses and vocal auditions on the following dates:

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Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

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Fr. David Friel · September 24, 2019

Art of the Beautiful Lecture Series 2019-2020

A project of The Catholic Artists Society in NYC

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

Recent Posts

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  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)

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