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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
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  • Miscellaneous
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Views from the Choir Loft

Articles

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Veronica Brandt · March 16, 2019

A German Franciscan Soldier who Sang

Excerpts from the life of Fr Gereon Goldmann – bombs, concentration camps, espionage and Gregorian chant.

Jeff Ostrowski · March 14, 2019

“Sarum Rite” • Did it exist? What is it?

“To contrast Ancient Sarum with Modern Roman is absurd.” —Fr. Adrian Fortescue (1912)

Jeff Ostrowski · March 13, 2019

Offensive Music in Germany • Ash Wednesday (2019)

Have you ever seen a liturgical “instrument” like this?

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Veronica Brandt · March 9, 2019

Every Church Musician Deserves Music Lessons

In which Veronica describes some unexpected benefits of taking up music lessons.

Jeff Ostrowski · March 7, 2019

“The New Mass” • Discussed by Michael Davies, Malachi Martin, Msgr. Champlin, and William F. Buckley

Fascinating debate recorded 22 April 1980.

Jeff Ostrowski · March 4, 2019

“Lacuna” • An Actual One—Not A Fake One

Read these entries—and then tell me your head isn’t spinning!

Fr. David Friel · March 3, 2019

Leo XIII to St. Katharine Drexel: “What about you?”

Today marks the feast of Mother Katharine Drexel, whom the Holy Father challenged to become a missionary.

Veronica Brandt · March 2, 2019

God of Mercy and Compassion

Two hymns with the same opening line, but very different content. A mystery rewrite symptomatic of an avoidance of personal contrition.

Jeff Ostrowski · February 28, 2019

PDF • “Additional Versions of the Credo” (1934)

This morning, fascinating versions of the Credo arrived in my inbox—versions I had never seen!

Dr. Lucas Tappan · February 27, 2019

Strive for Greatness!

Stop trying to make everything easy, and therefore unimportant.

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

Richard J. Clark · February 22, 2019

“Woman of No Distinction” World Premiere

What makes this work unique is its perspective: written entirely from the point of view of the Samaritan woman.

Jeff Ostrowski · February 20, 2019

When You Go To Mass … Be This Guy!

Bringing a falcon to Mass never crossed my mind…

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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