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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Fr. David Friel · May 17, 2020

Returning to the Sacraments • “Breathe Easter Now” (Hopkins)

Words of Hope from Gerard Manley Hopkins

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Jeff Ostrowski · May 16, 2020

PDF Download • Organ Accompaniments (Benediction of the Blessed Sacrament)

Including O SALUTARIS (“O Saving Victim Opening Wide”) and TANTUM ERGO (“Down in Adoration Falling”) in Latin and English.

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Veronica Brandt · May 16, 2020

Regina Caeli: How Good do you Need to Be to Sing Polyphony?

To sing at Mass though, you need more than just being able to finish together.

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William J. Fritz · May 15, 2020

How to Change a Hymn Without Changing It

Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.

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Wilfrid Jones · May 15, 2020

Post-Pandemic Liturgy

Some very brief comments on the lessons we might learn during this pandemic for the future of liturgical music.

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Jeff Ostrowski · May 14, 2020

Can’t Decide Which Hymn Tune To Use?

My brain can’t accept the approach chosen by this “Graduale”…

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Dr. Alfred Calabrese · May 13, 2020

Josquin’s “Ave Maria…Virgo Serena” • The Most Famous Piece Of 1502

It stands to reason that if someone wants to sell a lot of books, he should put something in there that people want to buy.

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Jeff Ostrowski · May 12, 2020

What Did Palestrina Look Like?

Father Lawrence Lew, OP, is perhaps the world’s greatest photographer.

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Dr. Lucas Tappan · May 12, 2020

How Do the Greats Approach the Science of Choral Conducting?

Michelangelo, without training and in wont of the best paints and plaster, would have struggled to paint the ceiling of the Sistine Chapel.

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Jeff Ostrowski · May 11, 2020

How to properly sing “Alleluia” in Eastertide (1962 Missal)

The way to “repeat” Alleluia during Eastertide confuses many people.

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Keven Smith · May 11, 2020

Choir Roster? No. It’s a Love List!

You can form a stronger connection with your choir even while rehearsals are suspended. All it takes is one simple thing that you probably already have.

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Jeff Ostrowski · May 11, 2020

A B C D F etc. — An Ancient “Alphabetical” Hymn

This hymn by Caelius Sedulius (Christian Poet from the 5th century) has been translated into English by a Catholic priest.

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Veronica Moreno · May 9, 2020

Is Liturgy Essential?

A mother recounts her son’s yearning for a return to Holy Communion and she reflects on our absolute necessity for the Sacrifice of the Holy Mass.

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Jeff Ostrowski · May 9, 2020

Wedding Homily (7 min) by Fr. Valentine Young

“The late Archbishop Sheen once pointed out how the Greeks in their language had three different words for love…”

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Richard J. Clark · May 8, 2020

Pain, Trauma, Caution in the Choir World

Fallout from the recent NATS/ACDA webinar: A Conversation: What Do Science and Data Say About the Near Term Future of Singing.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • “Comparison Chart” • 1940 Episcopal Hymnal
  • 21 Organ Accompaniments • Pentecost Sequence (“Veni Sancte Spíritus”) in Latin and English
  • “A Noble Sound” • Calling Men Back to Sacred Music
  • The Entrance Chant • “Further Discussion”
  • PDF Download • Accompaniment Edition (183 pages) — “Jesuit Hymnal” (Buffalo, New York)

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