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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Moreno · May 9, 2020

Is Liturgy Essential?

A mother recounts her son’s yearning for a return to Holy Communion and she reflects on our absolute necessity for the Sacrifice of the Holy Mass.

Jeff Ostrowski · May 9, 2020

Wedding Homily (7 min) by Fr. Valentine Young

“The late Archbishop Sheen once pointed out how the Greeks in their language had three different words for love…”

Richard J. Clark · May 8, 2020

Pain, Trauma, Caution in the Choir World

Fallout from the recent NATS/ACDA webinar: A Conversation: What Do Science and Data Say About the Near Term Future of Singing.

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Jeff Ostrowski · May 7, 2020

Stunning Harmonies! • “Hail, Holy Queen Enthroned Above” (Hymn #783)

This has been called the “incomparable and indispensable” hymnal for Catholics.

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Jeff Ostrowski · May 6, 2020

Blog Contributors Speak About A “Favorite” Piece

This is a good way to get to know several contributors a little better!

Dr. Lucas Tappan · May 5, 2020

What Makes a Great Conductor?

At the heart of the great conductor is one who is born in wonder, one who stands in awe and amazement of heaven’s divine gift of music.

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Jeff Ostrowski · May 5, 2020

“Pange Lingua” translated into English • Hymn by Saint Thomas Aquinas

I predict this smooth harmonization will go down in history—it fits the voice perfectly.

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Keven Smith · May 4, 2020

Bring Your “Lost Motets” to Life

I can think of at least five reasons to use the current downtime as an opportunity to educate your parish about sacred music. And it doesn’t take much work.

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Fr. David Friel · May 3, 2020

Throwing Away Our Birthright of Beauty

Thoughts from St. Athanasius the Great

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Wilfrid Jones · May 2, 2020

Unveiling the songs of hope: fr Timothy Radcliffe op

One of the most significant thinkers in the Church today shares his thoughts on, and experiences of, music as a source of hope in the darkest of times. When we face death, we respond in song.

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Veronica Brandt · May 2, 2020

Saints Stories from 3 Priests in Australia

Three priests taking their teaching ministry online during the current restrictions.

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Jeff Ostrowski · May 2, 2020

The best 5 seconds in Gregorian Chant…

“No concession should ever be made for the singing of the Exultet, in whole or in part, in the vernacular.” — Fr. Augustin Bea

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Jeff Ostrowski · April 30, 2020

Can Sacred Music Be Saved? • (How exactly?)

I know of no greater composition than this one—and it was written by a devout Catholic priest.

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Dr. Lucas Tappan · April 28, 2020

Audiation for Choristers

The reality in any great liturgical choir is that there is simply too much music to learn by rote.

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Jeff Ostrowski · April 28, 2020

For Shame! • Collegeville blog says looking at Crucifix “skirts the edge of idolatry”

The Roman Missal explicitly tells the priest to look at the Crucifix at various times during the Holy Mass.

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The tradition of Roman documents establishes a clear hierarchy. Gregorian chant has pride of place; classical polyphony has a privileged role. It is because styles carry with them associations and even evoke a place—the style of a Broadway show tune evokes the theater; the style of cocktail music evokes the cocktail bar, yet we hear these styles in church. The priority of sacred styles needs re-emphasis.”

— Dr. William Peter Mahrt

Recent Posts

  • “Regina Caeli” • More Than You Wanted To Know
  • Music List • “5th Sunday of Easter” (Year A)
  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire

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