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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · March 19, 2020

The Fruit of Silence is Prayer

The list of concerns is endless. Today, we may be given the gift of an overabundance of silence, but perhaps its fruit will reverberate for years.

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Fr. David Friel · March 18, 2020

A Word of Encouragement

For those who are separated from the liturgical life of the Church on account of COVID-19.

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Dr. Alfred Calabrese · March 17, 2020

Eucharistic Fasting, Hunger, and Pent Up Energy

So many are distraught that they are unable to receive the Eucharist. The dryness of the Lenten desert is real.

Jeff Ostrowski · March 17, 2020

PDF Download • The Most Difficult Piece! (Sacred Music Symposium 2020)

Including the “official statement” regarding the Coronavirus.

Jeff Ostrowski · March 17, 2020

Video (50 seconds) • “Long Lines At California Costco”

I’m not even sure what to say about this.

Jeff Ostrowski · March 16, 2020

PDF Download • Organ Accompaniment for “Audi Benigne Conditor” (Vespers Hymn for Lent)

Finding the “perfect” accompaniment for hymns can be challenging. Here is my attempt.

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Veronica Brandt · March 13, 2020

Stella Caeli – a hymn against pestilence

Veronica Brandt has posted a beautiful antiphon reputed to keep the plague away; updated to correct a semitone variance in the first copy she made • The Cantuale Romano-Seraphicum from 1951 is mentioned • Free download of “Stella Caeli” along with the Litany of Our Lady+

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Jeff Ostrowski · March 13, 2020

Errors in the “Complete Works” of Father Cristóbal de Morales

Monsignor Higinio Anglés, a Spanish priest and musicologist, was director of the Pontifical Institute of Sacred Music.

Jeff Ostrowski · March 11, 2020

A Hymn We’re Singing This Lent—In English!

Have you heard of the “People’s Mass Book,” published by Omer Westendorf in 1964?

Veronica Moreno · March 11, 2020

“Let’s Not” . . . a small moment of reverence

Cardinal Dolan at Mass

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Fr. David Friel · March 10, 2020

Liturgical Custody of the Eyes

Guarding the Sense of Sight so as to Promote Participation

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Dr. Gregory Hamilton · March 10, 2020

Psalms, Psalmody, Psalmists, Psalm Singing

Some of you may not know, but in seminaries and houses of religious, the 150 psalms are still recited or sung every month.

Jeff Ostrowski · March 10, 2020

Former Executive Director (USCCB Liturgy Committee) Distorts Holy Week Permitted By Pope Francis

Pope Francis was right to allow the Pre-1955 Holy Week. Father Krisman is incorrect to suggest it will “hurt people.”

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Jeff Ostrowski · March 7, 2020

Father Cristóbal de Morales • “Missa Mille Regretz”

Some believe Stevenson was the greatest musicologist of all time, but I believe he made an error here.

Jeff Ostrowski · March 3, 2020

PDF Download • Catholic Hymnal by the Bishop of Cleveland, Ohio (84 Pages)

An extremely rare hymnal compiled by the Most Rev’d Joseph Schrembs, Bishop of Cleveland, Ohio.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The translator desires in conclusion to protest that if, (which he hopes and believes is not the case,) either the translation itself, or the footnotes, should contain anything which a faithful Catholic ought not to have written, he has written such passage inadvertently.”

— John Crichton-Stuart (27 June 1879)

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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