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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Keven Smith · April 27, 2020

What Spilling My Coffee Taught Me About Directing My Choir

(Keven Smith) • Yesterday morning I spilled coffee all over my desk before leaving for our live-streamed Mass. It ended up being a great move+

Jeff Ostrowski · April 27, 2020

“Virtual Mass Is Not The Same” • Sermon by Father Mark Ostrowski

On 26 April 2020, Fr. Ostrowski explained an unintended “Covid-19” consequence—from which we can learn.

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Andrea Leal · April 26, 2020

Trust the Good Shepherd

These difficult times call for an extra measure of humility, patience and trust.

Veronica Moreno · April 25, 2020

“Ransomed” during a pandemic

a mother and musician looks to Our Lady of Ransom for succor.

Veronica Brandt · April 25, 2020

Compline in the Home – via Podcasts!

Having a printed copy of the Divine Office is a good step, but actually hearing it sung really brings it alive.

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Richard J. Clark · April 24, 2020

If you are having a bad day, this is what it means

God ensures will blossom even harsh conditions.

Wilfrid Jones · April 24, 2020

“Hearing the Music of Heaven” • An interview with Father Dominic White OP

An interview with the Dominican composer and theologian Fr Dominic White about his work and theological approach to music.

Jeff Ostrowski · April 23, 2020

Can Ordinary Form Masses Be “Enriched” By The Extraordinary Form?

Do we truly believe the Second Person of the Blessed Trinity becomes present at Mass? Is this how we treat the Sanctissimum?

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Wilfrid Jones · April 22, 2020

Easter Chants from Fisher House

A recording of the chants of the Easter Vigil.

Jeff Ostrowski · April 22, 2020

“Christ The Lord Is Risen Today” • (Hymn #697)

…including several captivating attempts to translate “Victimae Paschali Laudes.”

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Dr. Alfred Calabrese · April 21, 2020

The Unintended Consequences of Live Streaming Mass

If someone is not entertained watching a live streamed Mass, they can just change the channel.

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Jeff Ostrowski · April 20, 2020

Rehearsal • “Come, Holy Ghost, Creator Blest”

Including information about a *fabulous* liturgical book from the 1950s.

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Jeff Ostrowski · April 20, 2020

As Seen On Facebook…

This Covid-19 crisis has caused results I never expected; and not in a good way.

Fr. David Friel · April 19, 2020

The Offertory Antiphons of the Easter Octave

United by the theme of sacred “commercium”

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Veronica Brandt · April 18, 2020

Why are you sad, O my soul?

It is alright to feel sad. The other alternative would be indifference, and that would be a real tragedy.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

  • Music List • (3rd Sund. Ordinary Time)
  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Choose Carefully!
  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)

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