Views from the Choir Loft

Articles

Jeff Ostrowski · July 3, 2019

(Live Recording) • Hymn by Richard J. Clark

Recordings from Symposium 2019 are beginning to appear!

Corpus Christi Watershed · July 3, 2019

“First Images” • Sacred Music Symposium 2019

…including a live recording of the Kyrie by Palestrina!

Corpus Christi Watershed · July 2, 2019

“Keynote Address” • Sacred Music Symposium 2019

By Fr. James Fryar, FSSP—recorded live.

Dr. Lucas Tappan · July 1, 2019

St. Paul’s Choir School Appoints New Director of Music

James Kennerley’s “rehearsal with the men and boys was brilliant as is his organ playing.”

Dr. Lucas Tappan · June 25, 2019

In Search of the Deeper Meaning

I have heard it said that magic shows up at every concert but usually goes home disappointed.

Veronica Moreno · June 21, 2019

When “Textbooks” Don’t Cut It

This routine has taken years to establish.

Jeff Ostrowski · June 19, 2019

Symposium Booklets Have Arrived!

Anyone can write articles saying: “Church music must improve”—but actually getting one’s hands dirty? That’s different…

Dr. Lucas Tappan · June 18, 2019

Fr. Finn and the Catholic Choral Tradition in America

Nevertheless, we have had, and quite frankly still have, a number of fine choirs, conductors and organists that I would place on par and even above our European brethren.

Corpus Christi Watershed · June 17, 2019

Professional Photographs • Saint Isaac Jogues Missal

This pew Lectionary & Missal is changing the way Catholics experience the Ordinary Form.

Fr. David Friel · June 16, 2019

Solemn Novena for Our Lady of Mt. Carmel

This year’s preacher will be Fr. James Gordon, F.S.S.P.

Veronica Moreno · June 14, 2019

Homeschooling (And Sacred Music) Snuck Up On Us

In this way, we keep the faith alive at the kitchen table and at the altar.

Jeff Ostrowski · June 12, 2019

PDF Download • Symposium Booklet (159 pages)

…probably unlike any musical booklet you’ve come across!

Jeff Ostrowski · June 11, 2019

Secrets Revealed

…perhaps more slowly than one would prefer, but finally the secret is beginning to leak!

Jeff Ostrowski · June 10, 2019

PDF Download • Vespers Organ Accompaniments

Do you understand why some of the harmonies are blank?

Fr. David Friel · June 9, 2019

The Magnificat Institute of Sacred Music

A new undertaking of composer Paul Jernberg

“Entrance Chant” • 2nd Sunday (Ord. Time)

Download the ENTRANCE ANTIPHON in English for the 2nd Sunday in Ordinary Time (19 January 2025). This English adaptation matches the mode of the version in Gregorian Chant. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

Repugnant Rhymes in Hymns

Repeatedly, I have pointed out that the Brébeuf Hymnal is distinguished (among other things) by its elegant and praiseworthy use of rhyme. I have persistently denounced hymnals with “babyfied” or “predictable” or “bland” rhymes. Let me give an example. I noticed a hymn with a particularly repulsive refrain (in terms of its use of rhyme). The verses were much better, as you can see. It turns out the verses were written by Monsignor Ronald Knox—one of the 20th century’s great poets—but some schmuck “affixed” his banal refrain onto it. Reprehensible!

—Jeff Ostrowski

“Music List” • Baptism of the Lord

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the Baptism of the Lord (12 January 2025). If such a thing interests you, feel free to download it as a PDF file. The entire EPIPHANY SEASON according to the 1970 liturgical calendar is exceedingly brief, which is a shame because there are so many great Epiphany hymns…

—Jeff Ostrowski

The Dedication of a Musician

I am reading the biography of a musician (Leo Sowerby), and I read a quote that makes my head shake in sorrow: “[Sowerby] also cultivated a rhetoric that pushed aside questions of his personal life, stating repeatedly for instance it would be impossible for him to do what he did as a musician while also being married.” I think most readers of this blog who cultivate an active Catholic life and who diligently follow the teachings of the Church in its fullness might agree: one cannot be a good husband/wife/father/mother/priest/religious and become one of those rarified musicians who are able to dedicate all their time to hone their craft. However, might I suggest that this wholly misses the point of being an artist. St. John Paul II says that man is generous by nature. In other words, it is in the very being of what it is to be human to be giving of oneself. An artist who is truly living their God-given talent gives freely of themselves first in their vocation, and then their contemplation of beauty will not be stifled by their life in communion with others. Rather, that giving of self is the underlying impetus and drive that will influence and mold their art in ways that living a worldly-minded, “self-fulfilled” life can never do. “For whosoever will save his life shall lose it: and whosoever will lose his life for my sake shall find it.”

—William J. Fritz

“Reader Feedback” • 6 January 2025

A message we received: “Thank you so much for all of your tireless and selfless work in building up the Kingdom of God and Helping us on the path toward heaven! Your work for many years now has borne much fruit in my life and in the lives of whom I work with. May the Lord bless and protect your very important apostolate.”

—Corpus Christi Watershed

“Lessons and Carols”

Seen online! Dr. Samuel Backman conducted a “Lessons and Carols” service with his choir, and someone produced this lovely vignette.

—Corpus Christi Watershed

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)