Jennifer D. Behnke • “Brébeuf Hymnal Review”
“How I love the multiple settings of each text, which can be interchanged as required by seasonal and festal usage.” —Maestro Behnke
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“How I love the multiple settings of each text, which can be interchanged as required by seasonal and festal usage.” —Maestro Behnke
This recording was completed last night (23 July 2019).
Most of these students, without ever having studied the Church’s documents on liturgical music, have an innate sense that our sacred mysteries require sacred music… and they WANT IT!
“If you set the bar low, a boy will crawl underneath it—but if you set the bar high, he will leap over it.” —Charles Cole
The Soprano line was sung by a young lady in the 8th grade—and she did very well.
If a girl in the 2nd grade can learn it after hearing it only a few times, I believe everyone is capable of learning it.
I can’t always recognize a hymn tune by its name, especially when the Missalette only provides lyrics. Please don’t judge me; that’s the honest truth.
During the Symposium, a wonderful young lady from Las Vegas taught students how to create multi-track recordings.
Liturgy of the Hours and Divine Office books become enormous when they include all the music for singing the psalms. Fortunately here are the tools to bring the music to your screen.
Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.
St. Paul’s Choir School is one of only three Catholic choir schools in the United States, and provides an approach we might call the apprenticeship method.
We will not be considering musically absurd examples from the past.
I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things
Do you hear the little counter-melody added by the organist to several verses?
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