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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EWTN Classic • “Theology of Worship” with Fr. Robert Skeris (1998)

Jeff Ostrowski · June 22, 2015

ANY KNOW MONSIGNOR Robert Alex Skeris as a professor at the Catholic University of America. Others knew him when he was head of the Theology department at Christendom college. In the CMAA journals, Msgr. Schuler often referenced “Fr. Skeris of Rome” since he ran the Pontifical Institute of Sacred Music during the 1980s. I was present when Fr. Skeris gave a lecture to the Sacred Music Colloquium—which he helped found 30+ years ago—and received a standing ovation from a packed auditorium. The audience just kept applauding for the longest time…to the point where my ears started to hurt!

I recently obtained a marvelous interview (7 January 1998) where Mother Angelica of EWTN asks Fr. Skeris to explain the Theology of worship.

Here’s the direct URL link.

This excerpt addresses participatio actuosa (“active participation”):

Here’s the direct URL link.

Mother Angelica asks why liturgical music has to be sacred:

Here’s the direct URL link.

Fr. Skeris mentions what the fathers of Vatican II actually voted upon regarding Latin in the liturgy:

Here’s the direct URL link.

You can obtain this 60-minute DVD by searching Google. I think it was in the range of $17.00, and you’ll enjoy hearing Fr. Skeris give candid answers to excellent questions from the audience. He speaks about the relationship of text & music; why Gregorian chant is the Church’s preference; whether we can use orchestral Masses based on secular tunes; and numerous other topics. I like the part where Mother Angelica presses Fr. Skeris to tell his favorite piece of music!

EWTN posted a 1990 article by Fr. Skeris:

* *  PDF Download • “Participatio Actuosa” (1990)

If you doubt the importance of discussions by the fathers of Vatican II, read this 1976 reference to the Conciliar relationes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Robert Alex Skeris, Participatio Actuosa Last Updated: February 18, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski
    Prex • Particularly Powerful
    The Third Edition of the SAINT EDMUND CAMPION MISSAL contains a Latin-English translation for the ‘old’ Holy Week published by Monsignor Ronald Knox in 1950. His version is utterly splendid, and it’s astonishing it was totally forgotten for 70+ years. I find his translation of a prayer from Palm Sunday (Deus qui dispérsa cóngregas) particularly powerful: “O God, who dost mend what is shattered, and what thou hast mended, ever dost preserve, thou didst bless the chance comers who met Jesus with branches in their hands. Bless these branches too, of palm or olive, which we take up obediently in honour of thy name; rest they where they will, let them carry thy blessing to all who dwell there. All harm thence banish, and let thy power defend us, in proof that thy Son, Jesus Christ, has redeemed us…”
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

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