Principles vs Preferences
I ran into this idea recently…
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
William J. Fritz is a composer, organist, choir director and music teacher. He studied music, philosophy and theology with the Norbertine Fathers of St. Michael's Abbey in Orange County, and received his masters in theology from the Oratory of St. Philip Neri in Toronto, Canada. He currently serves as music director in both forms of the Roman Rite at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—Read full biography (with photographs).
That single change made clear that those present were able to enter more deeply…
“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen
I recorded my choir trying out the little “puzzle” (sent by Benedetti to Cipriano de Rore) to see whether the pitch would drift at all…
My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.
“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz
This coming Saturday (8 July) at 7:00pm, EWTN will be broadcasting …
To (re)Harmonize a Hymn—“Anima Christi” by Dr. Theodore Marier
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Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.
Have you seen a musician using a tablet to read their music as they performed? Ever wondered how that would work in your choir or for you?
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As church musicians, we have incredible responsibility and influence.
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Have you ever considered how a class on Gregorian chant would be received? Why is there an increasing desire among Catholics to include chant in the Mass and liturgy? Look at how one such class was received in Southern California. Outline included of class structure.
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William Fritz is a composer, pianist, organist, liturgical musician and director of music at St. John the Baptist Parish in Costa Mesa, CA.
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