Views from the Choir Loft

Dr. Samuel Backman • Article Archive

Dr. Samuel Backman earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He currently serves as Director of Sacred Music at Holy Cross Catholic Church in Minneapolis, Minnesota, where he chairs a multi-faceted music program across three campuses. He resides with his wife in Minneapolis, Minnesota.—Read full biography (with photographs).

Dr. Samuel Backman · January 24, 2025

The Lofty Nature of This Goal

The lofty nature of this goal…

Dr. Samuel Backman · November 5, 2024

Bending Your Ear • A Sound Theology

“The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.” —Dr. Backman

Dr. Samuel Backman · September 19, 2024

Is Investment in Sacred Music Really Necessary?

“About a year later, when many Covid restrictions had been lifted, we saw quite an influx of new faces come into our parish…” —Dr. Samuel Backman

Dr. Samuel Backman · July 24, 2024

Sacred Music and Suspicions of Elitism

“While a student, I was told to avoid playing Bach in the context of worship, as doing so might give the impression that I was targeting a sort of ‘elite’ class.” —Dr. Samuel Backman

Dr. Samuel Backman · January 10, 2013

Biography • Dr. Samuel Backman

Samuel earned degrees from Saint Olaf College, Yale University, and the University of Oklahoma…

Communion Chant (4th Sunday of Lent)

You can download the Communion Chant for the 4th Sunday of Lent (Year C). Its opening phrase calls to mind the authentic version. I have created a rehearsal video to assist volunteer choirs.

—Jeff Ostrowski

“Entrance Chant” • 4th Sunday of Lent

You can download the ENTRANCE ANTIPHON in English for the Fourth Sunday of Lent (30 March 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version is called “Laetáre Jerúsalem” and its memorable opening gesture is imitated brilliantly by this vernacular adaptation. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • 3rd Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 3rd Sunday of Lent (23 March 2025). If such a thing interests you, feel free to download it as a PDF file. During Lent, the pipe organ is greatly reduced. Therefore, I marked a red “X” on all the pieces we’re singing a cappella.

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman