The Choir Isn’t Everything
The priest’s musical role is enormously influential. This can not be emphasized enough.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).
The priest’s musical role is enormously influential. This can not be emphasized enough.
These three elements inform most every aspect of our service to God and the faithful.
Many of us are gearing up our choir programs. Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s.
World Library Publications has published settings of Communion propers for Advent and Christmas. Listen here to beautiful recordings directed by Paul French.
The most important element of this document is not the list of hymns and chants, but the vital coupling of faith formation and sacred music.
Quiet prayer for church musicians is very difficult to come by. Here are nine things one may find helpful.
The people deserve to know the truth. It is time for ignorance to end so that the faithful may develop informed opinions.
A very wise and compassionate Jesuit priest kindly exhorted me to avoid writing such missives. I quickly heeded his advice. So should you. Here’s why:
Most Rev’d Serratelli says the current rubrics “reflect the real possibility that the celebrant might be facing away from the assembly.”
As surely as the sun rises in the East and sets in the West, someone will be unhappy. Displeasure does not discriminate.
The frontier of composition is clearly producing new settings of the propers in the vernacular, useful for a typical parish.
It took me—the composer—to realize this is really a work about mother and child.
2016 marks two milestones: the 140th Anniversary of the Dedication of the E. & G. G. Hook & Hastings, Opus 801 and the thirtieth anniversary of Leo Abbott’s tenure as Cathedral Music Director in Boston
“The presider claims a form of privilege to change things that do not belong to him…”
What music does a newly ordained priest, who currently plays the drums in a jazz band, choose for his first Mass? A priest who also has a degree from the Hartt School of Music in Music Production and Technology? The answer will surprise you.
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