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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · September 14, 2018

Fearfully and Wonderfully Made • New Work for Trumpet and Organ

Trumpeter, Richard Kelley’s lyricism can be compared to that of an oboe or clarinet. His soul and humanity pours forth in his playing.

Richard J. Clark · August 31, 2018

Join a Choir! Now!

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know.

Richard J. Clark · August 10, 2018

Janet Hunt and Music of the Pipe Organ • “On a Sacred Note”

Catholic TV focuses on the indispensable role of the pipe organ with Janet Hunt.

Richard J. Clark · August 3, 2018

Scogna and Olbash talk Gregorian Chant • “On a Sacred Note”

Who doesn’t like to talk about Gregorian Chant?

Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

Richard J. Clark · June 1, 2018

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

“My wish is that our viewers will walk into Sunday Mass with a new attentiveness…” — Stephanie Scogna

Richard J. Clark · May 4, 2018

“Priests of God, bless the Lord!” • Practice Video

“Sacerdotes Dei” — Introit for the Ordination of Priests

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

Richard J. Clark · March 16, 2018

Eight Lessons • “Make Musicians Love Working With You”

Good-hearted musicians amplify success musically, economically, and spiritually.

Richard J. Clark · March 2, 2018

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

“He is in every way a composer of Bach’s stature and accomplishment both technically and expressively.” ~ Scott Metcalfe

Richard J. Clark · January 19, 2018

Two Choral Works and Propers for Lent

Chant-based works for Lent

Richard J. Clark · January 12, 2018

Msgr. Michael F. Groden’s Contribution to Sacred Music

Quite curiously, the first full-time employee this developer and builder hired as pastor was a musician. A musician? Really? Yes.

Richard J. Clark · December 15, 2017

Discouragement and Hope

Despite such a bleak picture, so many musicians remain faithful and loyal servants of the Church. This is hope.

Richard J. Clark · December 1, 2017

I’ve made this an essential part of concert preparation.

I’m embarrassed to say, I feel I have only discovered this necessity recently.

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

Recent Posts

  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”
  • Every Artist Needs a Refuge

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