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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 30, 2019

Broken Rosaries and a Triptych of Wisdom

Three priests — three pearls of wisdom

Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Richard J. Clark · March 22, 2019

Funerals: The Most Challenging Pastoral Responsibility

The centrality of Christ in the Funeral Mass is a priceless gem, a lifeline urgently needed in grief.

Richard J. Clark · February 22, 2019

“Woman of No Distinction” World Premiere

What makes this work unique is its perspective: written entirely from the point of view of the Samaritan woman.

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Richard J. Clark · January 11, 2019

New England Catholic Choral Festival & Mass • 2019

It’s never just about the music. It’s about formation and transformation.

Richard J. Clark · December 21, 2018

Hope • A Side of the Boston Cathedral No One Sees

As the “Mother Church” of the Archdiocese of Boston, the Cathedral of the Holy Cross has a side that is often unseen and overlooked.

Richard J. Clark · December 14, 2018

2019 • Announcement of Easter & Moveable Feasts • Novus Ordo

Free download of The Announcement of Easter and the Moveable Feasts for 2019

Richard J. Clark · November 23, 2018

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Musicians in Collaborative Parishes • Sharing Best Practices

There is no shortage of challenge in pastoral ministry. This is an understatement of a lifetime!

Richard J. Clark · October 23, 2018

Mark Dwyer • Concert to Benefit the E. & G. G. Hook & Hastings (1875) Organ at the Cathedral of the Holy Cross

Mark Dwyer shines the light on two glorious pipe organs all in one glorious concert.

Richard J. Clark · October 19, 2018

Acompañamientos • MISAL ROMANO, Tercera Edición

Free Download of two sets of accompaniments for chants of the new Misal Romano, Tercera Edición.

Richard J. Clark · September 21, 2018

Radio Interview • Óscar Romero & New Beginnings

“I hope my poem also speaks to the role of the church in our society.” — E. Ethelbert Miller

Richard J. Clark · September 14, 2018

Fearfully and Wonderfully Made • New Work for Trumpet and Organ

Trumpeter, Richard Kelley’s lyricism can be compared to that of an oboe or clarinet. His soul and humanity pours forth in his playing.

Richard J. Clark · August 31, 2018

Join a Choir! Now!

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know.

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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