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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · December 4, 2023

Announcement of the Nativity of the Lord from the Roman Martyrology • Practice Video

Practice video for the Announcement of the Nativity of the Lord from the Roman Martyrology

Richard J. Clark · September 21, 2023

Antiphons Vs. Hymns • A “Both/And” Church

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Richard J. Clark · August 18, 2023

Father Morales’ Astonishing “Ave Maris Stella” Gloria

Including a recording from Sacred Music Symposium 2023.

Richard J. Clark · July 26, 2023

Theodore Marier Is the Most Important Liturgical Musician—Even Today.

“The more I learn about Marier, the more I am inspired to be a better human being.” —Richard J. Clark

Richard J. Clark · June 28, 2023

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

CRCCM Repertoire Project Released!

The Conference of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource offering recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and Ritual Masses.

Richard J. Clark · February 24, 2023

New Album from the Boys of Saint Paul’s Choir School

NEW CD from the Saint Paul’s Choir School, Harvard Square with the Sophia Music Group label

Richard J. Clark · December 23, 2022

John G. Dunn • 1943-2022 • Requiescat In Pace

We mourn the passing of John G. Dunn (1943-2022) Director of Music and Headmaster Emeritus of the Boston Archdiocesan Choir School (currently known as Saint Paul’s Choir School in Harvard Square) The Choir School would not exist today without John Dunn’s vision, dedication, and talent.

Richard J. Clark · December 16, 2022

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2023

Free scores and practice videos for the Epiphany Proclamation in English and Spanish for the Novus Ordo.

Richard J. Clark · November 22, 2022

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Join Your Parish Choir! • Why We Sing as a Faith Community

As many parishes struggle, your presence, your voice, your witness to the love of Christ is that much more important!

Richard J. Clark · August 4, 2022

Cardinal O'Malley Cathedral of the Holy Cross

The continuity and vulnerability of the Novus Ordo

There is great continuity between the Traditional Latin Mass and the Novus Ordo. In light of Pope Francis’ “Desiderio desideravi” and “Traditionis custodes” this deserves a closer look.

Richard J. Clark · May 15, 2022

Prayer of Abandonment,  Saint Charles de Foucauld

This will be sung at the Basilica of Saint John Lateran, Rome and at the Basilica of Saint Francis Assisi.

Richard J. Clark · April 4, 2022

It is time. Sacred Song and the Kingdom of God

The small efforts we make become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many.

Richard J. Clark · December 16, 2021

Announcement of Easter & the Movable Feasts • 2022 • English & Spanish

Free scores and practice videos in English and Spanish for the Announcement of Easter and Moveable Feasts (Epiphany Proclamation)

Richard J. Clark · November 30, 2021

Fauré Requiem Mass • Saint Paul’s Choir School 

A popular work often performed in concert, when sung within Mass, it offers boundless transcendence.

Richard J. Clark · November 26, 2021

From the Bell Tower

Boston Cathedral Singers’ “From the Bell Tower” on “Sounds from the Spires”

PODCAST! — The Boston Cathedral Singers’ album From the Bell Tower was featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel.

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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